Before you get too excited, a “universal mount” in the motion picture industry is not universal. The universal mount is what is used on lenses such as the Cooke 20-100mm or 25-250mm, and more recently on the Angenieux 24-290mm. It’s simply a sub-mount with a threaded rear that allows several different mounts to be attached, most commonly a PL or Panavision mount. These were fairly common on professional zoom lenses in the 80s, 90s, and 00s. Now, wouldn’t it be awesome if you could put a classic Cooke 25-250mm on a Canon 7D? Yes. Yes it would be awesome. Please observe the awesomeness:
I recently gave a thumbs up to the Fotodiox Nikon – Eos adaptor as I found it to be the best combination of quality and price available. This mount allowed a lot of great Nikon glass to be used with Canon cameras with the exception of Nikons latest and greatest “G” series lenses. The G series lenses are Nikons latest effort to reduce the cost and complexity of their line up by stripping the lenses of their manual aperture control. The aperture is controlled by a small mechanical lever in the rear of the lens that interfaces with a similar small lever in a Nikon camera. Without the need for large, calibrated apart rings and fancy mechanisms for transfer a rotation, the cost to the consumer is (theoretically) lowered. Well thats great and all, but this left Nikon’s latest and greatest lenses, such as the 14-24, 24-70, and 70-200mm, at a loss since they required a Nikon camera body to operate the silly little aperture lever in the back of the lens.but now there are several work arounds for this. One of which is the new Fotodiox Nikon G – Eos mount adaptor. Basically the same construction as the current Nik-Eos adaptor, nut with a very small lever that interfaces with the lens as the camera would, but allows the operator to adjust the aperture. While this is a rather crude solution to a problem. While the lever only has travel of about 15mm, and there is no indication of F-stop, it works well enough. I found it rather difficult to obtain an accurate setting and repeat that setting. With a little bit of clever personal modification, it shouldn’t be difficult at all. So… If you have a great Nikon G lens that you love shooting with but want to use it on a 5D or 7D, then this is the mount you are looking for.
More photos after the jump > Continue reading Fotodiox Nikon G – Canon Eos mount adaptor.
An update to the older client map. More pins from more customers. Again, if you aren’t on there, please feel free to leave a comment with the city and country and I will add it. The more the better. I know there are more of you out there. C’mon!
CineGear was held at Paramount Pictures Studios this past weekend. Pale in comparison to NAB, but still more motion picture oriented. I had a chance to visit all the booths that I thought were important and talked to several key players in optics game. These rumors are just that… Rumors. Don’t take anything too seriously.
As I understand, Zeiss is considering a compact zoom lens pending the success of their Compact Primes. This could be nice considering Zeiss makes glass for Sony cameras. Particularly their 24-70mm f/2.8. Continue reading CineGear Expo ’09 Rumors
I was invited to the Los Angeles Harbor, for Ken Block’s newest viral video to try out a lens I’ve been working on. The day I went was a “pick-up” day with only a skeleton crew. About 15 people total shooting scenes that needed to be redone or added for one reason or another. Jay Schweitzer was there with his RED camera waiting to slap on a nice wide angle lens for some specific shots. Mayhem ensued as one would expect with Ken Block behind the wheel of a fully tuned Subaru WRX STi. Check out the video…