Angenieux Adds 45-120mm to Their Optimo Line

Angenieux Adds 45-120mm to Their Optimo Line

Angenieux has long been the standard for cinema zoom lenses and certainly isn’t stopping anytime soon. NAB brings out the best in new lens manufacturers (and sometimes the worst) so Angenieux took the opportunity to announce their new addition to the Optimo series of lenses. This time it’s a 45-120mm. A little on the longer end of an all-purpose zoom, this will share a lot of the same features as the other light weight zooms like the 15-40mm and the 28-76mm Optimo. It will cover a full Super 35mm sensor/film utilizing a 31.4mm image circle and will feature an interchangeable mount with options for PL, Panavision, Nikon F, and Canon Eos.

Interchangeable Nikon F and Canon Eos Mount.

The focus scale has 320° of rotation which is about as much as anyone could every want and offers separate interchangeable metric and imperial scales. It will weigh in at 4.3 lbs. making it perfect for lightweight, steadicam, and 3d rigs. It’s a constant T2.8 which isn’t the fastest zoom in the world, but it’s certainly not the slowest and matches well with other pro cine zooms. I’m sure we can expect the same accuracy and quality as the rest of the Optimo lenses. It’s focal range, 45-120mm is a little long even at the wide end giving it a horizontal angle of view of 27.4°-10.5°. A 45mm in a S35 frame is fairly tight and 120mm on the long end gives it a nice versatile throw. It’s 2.7x zoom ratio drops it in the same boat as the other short zooms. I’ll be looking forward to getting my hands on this little bad boy from Angenieux and putting it through the paces. I have no doubt I won’t be let down.

Optional 1.4x and 2x extender (PL mount only?)

Canon PL Zooms

Canon PL Zooms

Canon is releasing a couple of PL mount zoom lenses. Some might think this is a step in a new direction for Canon but they had great success with their 16 format zooms back in the late 80’s in the form of a 11-165mm and 8-64mm that were based on some of their popular video lenses.The optics and core mechanics were transplanted into a cinema friendly housing. The lenses worked great and performed very well. You can still find them floating around rental houses and private owners basements since they only cover a very small 16mm film format.

Canon's previous 11-165mm S-16mm lens.

Canon’s new lenses will be native PL mount and will cover an image circle of 27.5mm which includes APS-C sensors. The RED One requires an image circle of 28mm so you’re pushing it there… It certainly won’t cover the Epic camera with a required 33.5mm image circle. I would be willing to bet the telephoto of the two would have a larger image circle as is the case with most lenses. The focal lengths are going to be 14.5-60mm T2.6 and a 30-300mm T2.9-3.7. The 14.5-60mm size will be a little smaller than an Angenieux 17-80mm but larger than I would care to hand hold. T2.6 is a nice aperture for the smaller zoom but the 30-300mm will ramp and nobody likes a zoom that ramps. 🙁

If these two zooms are similar to Canon’s previous lens ventures, then they should perform very well optically and mechanically. I look forward to seeing these pups at NAB and bench testing them when they come to market. Good luck, Canon!