Leica Macro-Lux Line Expands with +0.5 and +2 Diopters

Leica announced the original +1 Macro-Lux Diopter last year and it has quickly become the go-to clamp-on diopter for a wide range of productions. If you didn’t catch the announcement at NAB 2016, I’ll recap for you really quickly… The Macro-Lux +1 is essentially a super high quality clamp-on diopter. If you’re not familiar with diopters, think of them as a very quick way to achieve closer focus than what’s normally possible. A +1 is a pretty standard magnification which is why Leica released this one first. Now you can achieve even greater artistic goals with the +0.5 and +2 Macro-Lux. Continue reading Leica Macro-Lux Line Expands with +0.5 and +2 Diopters

Fujinon’s New MK Series Launches With An 18-55mm T2.9, TRY IT at Duclos!

Fujifilm has been busy… If you’re a Fuji fan like I am, you’ve been completely obsessed with the new GFX mirrorless medium format camera and haven’t been paying attention to the other projects they’ve been working on. Which, when you think about it – is mind boggling, that Fujifilm is doing so much at once. This particular move is a bit different for Fujifilm. Instead of making something that fits tightly into their own ecosystem, Fujinon Optical Systems has designed and manufactured a purpose built cinema lens, exclusively for E-mount cinema cameras. A whole new line they’re calling the MK series. The first lens in the line will be the brand new MK18-55mm T2.9. Let’s explore!
Continue reading Fujinon’s New MK Series Launches With An 18-55mm T2.9, TRY IT at Duclos!

Sigma Announces New ART Series Lenses

No… These aren’t cinema lenses. They’re auto-focus, still photography lenses. Sigma has just announced three new lenses in their ART line of still-photo lenses: 14mm f/1.8, 135mm f/1.8, and a 24-70mm f/2.8. So why am I posting about them? Because with Sigma’s new Cinema line of lenses, zooms and primes, I can imagine that these now options from Sigma will make their way into a cinema housing in the near future. Let’s discuss… Continue reading Sigma Announces New ART Series Lenses

Are Sigma’s Cine Zooms Parfocal?

Let’s sort this out… Ever since an article went live over at www.newsshooter.com I’ve had an email or a phone call almost once a day asking me if the new Sigma Cine Zooms were parfocal. Or as many of the calls/emails referred to it: “parafocal, paranormal, parafocusing, paralegal”, etc. etc. It’s parfocal (par·fo·cal), okay?! It seems like the entire industry suddenly became hyper aware of this term which has been around for a very long time and overnight, everyone’s a lens expert. Let’s make sure we’re all on the same page… Continue reading Are Sigma’s Cine Zooms Parfocal?

Rokinon Adds 20mm XEEN as Promised

You may think that we’re paid by Rokinon based on how frequently we report on their new products, but I assure you, it’s simply because they space their products well and release them in a timely manner, as promised. This time, it’s a brand new 20mm Rokinon XEEN. Continue reading Rokinon Adds 20mm XEEN as Promised

Rokinon adds 16mm T2.6 to Xeen Line

Last week Rokinon announced that the latest addition to their XEEN by Rokinon line, the 16mm T2.6 lens, is available immediately from authorized dealers. This is the first XEEN lens to be released since the 135mm lens began shipping last July, and is the first (but most likely not the last) XEEN of 2017. Continue reading Rokinon adds 16mm T2.6 to Xeen Line

Duclos Lenses Presents: NIGHT LIGHT

Duclos Lenses has a new event series they’re calling NIGHT LIGHT. The idea is to get like-minded cinematographers and camera operators together with some good food and drinks in an informal, casual environment. Each event will feature a different lens manufacturer kicking off with Zeiss and their brand new 21-100mm LWZ.3 as well as the rest of the Zeiss product line and Duclos Cine-Mods.  Continue reading Duclos Lenses Presents: NIGHT LIGHT

Duclos Lenses Presents Sigma Cine at the ASC Clubhouse : A Photo Recap

Last month Sigma revealed that they were (finally) entering the cinema world with a brand new set of cine zooms and primes. On Thursday October 6th, with the help of Duclos Lenses, Sigma hosted a launch event for these new lenses at the ASC Clubhouse in Hollywood, California. Continue reading Duclos Lenses Presents Sigma Cine at the ASC Clubhouse : A Photo Recap

The Ultimate Vintage Lens Test

Over the course of two days, in a studio in Burbank, California, a band of self-proclaimed “lens geeks” set out to complete the ultimate vintage cinema lens test. The project first began as a collaboration between ShareGrid’s Brent Barbano, and Duclos Lenses’ own Matthew Duclos. Initially, Barbano and Duclos had been planning to complete a rather small-scale lens test with the industry’s most popular and widely used vintage lenses. However, upon approaching director and cinematographer Mark Lafleur to ask him to participate, they discovered that he too was getting ready to carry out his own vintage lens test. The two sides decided to join forces, and before long a whole team was assembled. With Lafleur and Barbano as Directors and Executive Producers, and Duclos as Lens Consultant, Kyle Stryker was brought on as Director of Photography. The team also came to include Camera Assistants Matthew Borek and Michelle Diaz, and Nick Ferriero as Editor. Continue reading The Ultimate Vintage Lens Test

Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Tokina entered the cinema lens market several years ago with a few zooms and a macro prime which were all ported over from their still photography line of lenses. Originally, their 11-16mm T3 (a lens that we lovingly began the trend with) lacked a PL mount option which it finally gained just recently, while the other lenses featured the PL mount as a factory option. The 11-16mm was accompanied by two additional zoom lenses – a 16-28mm T3 and a 50-135mm T3 and a lonely 100mm Macro prime lens. Last week, Tokina announced that it will begin manufacturing three brand new prime lenses – a 35mm, 50mm, and 85mm, all T1.5, and refreshing the 16-28mm with a version II. Continue reading Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Zeiss Adds New Focal Lengths to Milvus Line Of Primes

We all knew additions to the Milvus line were eminent – we just couldn’t share details such as focal length and speed. Well now we can! The Milvus family is growing by way of a new 15mm f/2.8, 18mm f/2.8, and 135mm f/2.0, bringing the line to a total of nine lenses, 15mm through 135mm. So how do these new lenses fit in with their older brothers and sisters? Continue reading Zeiss Adds New Focal Lengths to Milvus Line Of Primes

Leica Refocuses With M 0.8 Primes

Leica is known world-wide for their classic line of M lenses that have been a favorite of photographers for decades. With the worlds of still photography and motion picture becoming less and less defined as time goes on, it’s not uncommon to see a still photo lens being used for motion picture work. Leica took note of this with their extensive catalog of high quality M mount primes and decided to do a bit of blending themselves.  Continue reading Leica Refocuses With M 0.8 Primes

Sigma Steps Into The Spotlight With New Cine Zooms and Primes

This one has been a long time coming and I couldn’t be happier to be breaking this news to all that have waited so patiently. For the past couple of years I would receive an email or phone call about twice a month asking if we had plans to convert the Sigma 18-35mm and/or 50-100mm to a cine lens. I would consistently, politely decline citing high cost or some other hurdle that made such a project unattractive to my organization which was generally met with the oh so annoying “Well, this other company in China does it for real cheap”. Good for them… But alas, we can finally admit to the real reason why Duclos Lenses has avoided such a project. Sigma has taken it upon themselves to carry out what so many have asked for over the past couple of years; Manufacture a high quality, fast, lightweight range of zooms and primes direct from their factory in Aizu, Japan. Let’s take a look into the future of Sigma Cine. Continue reading Sigma Steps Into The Spotlight With New Cine Zooms and Primes

Cooke Brings Back The Panchro Primes

Vintage lenses have been a major trend in the motion picture industry and Cooke is in a prime position to take advantage of their unrivaled heritage. They’ve just announced they’ll be reviving the classic Cooke Speed Panchro line of prime lenses that were first made in the 20’s and ran all the way through the 60’s. Let’s take a look at what information is currently available from Cooke. Continue reading Cooke Brings Back The Panchro Primes

Zeiss Revives LWZ Line With New 21-100mm T2.9-3.9 LWZ.3 Zoom

Just ahead of the European trade show trio, Zeiss has lifted the veil on their newest zoom lens project – The 21-100mm T2.9-3.9 LWZ.3. A Super 35 format, 4.7x cinema zoom lens weighing in at a mere four and a half pounds. We’ve got the scoop on Zeiss’ newest light weight zoom lens.
Continue reading Zeiss Revives LWZ Line With New 21-100mm T2.9-3.9 LWZ.3 Zoom