a blog by Matthew Duclos
As of late, the DZOFILM brand is creating quite a buzz in the cinematography community. I can’t recall a lens release that created so many inquiries. Who is DZO? Where did they come from? Are their lenses any good? Let’s explore…
Continue reading “DZOFILM Scales Up with Pictor Zooms”
The Tokina Vista Prime family has expanded again! This time with a 65mm. Let’s take a look, shall we?
Continue reading “Tokina Vista Prime 65mm T1.5 Announced”
For owners of the ZEISS CP.3 XD, Supreme Prime and Supreme Prime Radiance lenses, the latest firmware is available now which will include minor bug fixes and compatibility improvements.
Continue reading “ZEISS Firmware v1.71 Now Available”
Tokina has been adding focal lengths to their Cinema Vista line of high speed, large format cinema prime lenses ever since they were first announced back in 2016. Let’s take a quick look back as well as a peek forward at the Vista Primes.
Continue reading “40mm T1.5 Joins Tokina Cinema Vista Primes”
DZOFILM is creating quite the buzz as of late (pun unintended – read on to understand the pun). They’ve tackled MFT zooms, S35 zooms, and now they have introduced their first Full Frame lenses: Vespid Cinema Primes.
Continue reading “DZOFILM Announces Full Frame “Vespid” Primes”
Just less than a week after announcing the Canon RF mount for their cinema lens line, Irix now announces that they’ve added another two: Nikon Z and Leica L mounts – totaling seven mount options.
Continue reading “Irix Adds Two More Mount Options to Cine Line”
Irix reacted quickly to the popularity of the RF mount which is now available to their entire cinema lens line consisting of 11, 15, 45, and 150mm primes.
Continue reading “Irix Cine Lenses Now in RF Mount”
Photographic and cinema lens and accessory manufacturer, Irix, has introduced their new Irix Edge Circular Polarizer SR filter with some clever new technology that sets it apart from regular polarizer filters.
Continue reading “Irix Develops New Generation of Polarized Filter”
Fujinon has finally announced the latest addition to their Large Format Cine Zoom lineup: the Fujinon Premista 19-45mm T2.9. Fuji’s newest cine zoom is a short, lightweight wide-angle 19-45mm T2.9 zoom lens. Just like the 28-100mm T2.9 and the 80-250mm T2.9-3.5, the Premista 19-45mm produces images with natural and beautiful bokeh, outstanding high resolution, accurate color rendition, and controllable flare with minimal ghosting for capturing high dynamic range. Fujinon once again did an excellent job at ensuring minimal distortion throughout the entire zoom range allowing for less work in post-production phases and more creativity in the field.
Continue reading “A Third Fujinon Premista Zoom”
I haven’t been impressed with a 10x zoom since the original Angenieux 25-250mm HR. There are have been several attempts at reviving that focal length; the Fujinon 25-300mm, Arri Alura 45-250mm, even an Angenieux 25-250mm Optimo Style zoom. None of these lenses were bad, they just weren’t particularly good. So I didn’t want to get my hopes up when Canon announced their 25-250mm Cine-Servo. But now that I’ve had a chance to play with it and put it through its paces…
Continue reading “Canon’s New Zoom Now Shipping”
Zeiss has been working hard to bring three promised focal lengths to life, ahead of schedule. The much desired focal lengths are an 18mm T1.5, a 40mm T1.5, and a 200mm T2.2. The addition of these three lenses really fills out the Supreme Prime line very well.
Continue reading “Zeiss Nearly Completes the Supreme Line with 18, 40, and 200mm”
Introducing the first Motor Bracket Kit specifically produced for the Fujinon Premista Zoom line of lenses, designed and manufactured by Duclos Lenses.
Continue reading “Duclos Lenses Premieres New Premista Motor Bracket”
Laowa, the company behind other inspired unique lenses such as the 24mm Probe lens and the 12mm Zero-Distortion prime lens, have announced three new additions to their cine line: a 7.5mm, 9mm, and 15mm.
Continue reading “Laowa Expands Cine Line with 7.5, 9, and 15mm”
The newest wide-angle lens from Irix joins the ultra-wide 11mm, standard 45mm, and macro 150mm. Inspired by their popular Firefly and Blackstone 15mm f/2.4 models, the new cinema lens is lightweight, affordable, and exhibits very little distortion. Available in EF, E, PL and Micro 4/3 mounts.
Continue reading “Irix Introduces Cine 15mm T2.6 Ultra-Wide”
Tokina Cinema has announced the new 25-75mm T2.9. Its focal length falls between its predecessors 11-20mm and 50-135mm, creating a versatile trio of zooms.
Continue reading “Tokina Unveils New 25-75mm T2.9 Cine Zoom”