Zeiss Nearly Completes the Supreme Line with 18, 40, and 200mm

Zeiss Nearly Completes the Supreme Line with 18, 40, and 200mm

Zeiss has been working hard to bring three promised focal lengths to life, ahead of schedule. The much desired focal lengths are an 18mm T1.5, a 40mm T1.5, and a 200mm T2.2. The addition of these three lenses really fills out the Supreme Prime line very well.

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Irix Introduces Cine 15mm T2.6 Ultra-Wide

Irix Introduces Cine 15mm T2.6 Ultra-Wide

The newest wide-angle lens from Irix joins the ultra-wide 11mm, standard 45mm, and macro 150mm.  Inspired by their popular Firefly and Blackstone 15mm f/2.4 models, the new cinema lens is lightweight, affordable, and exhibits very little distortion.  Available in EF, E, PL and Micro 4/3 mounts.

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RIP Veydra: 2014-2019

RIP Veydra: 2014-2019

Veydra was a startup lens company with a solid idea that met its demise far too soon. As is the case with any ambitious idea with a lot of potential, there were curves and pitfalls that couldn’t be avoided. I had a front row seat to the entire adventure as a design consultant, a vendor, and a customer. The following is that account from my perspective.

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Fujinon MK L-Mount Kit from MTF Services

Fujinon MK L-Mount Kit from MTF Services

UK based lens mount manufacturer MTF Services has announced a new conversion kit which will allow the Fujinon MK zooms to be converted to L-Mount. If the kit is anything like the rest of their products, it ought to be a proper method for getting the MK zooms onto your Panasonic, Sigma, or Leica camera.

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Vazen Creates Native Anamorphic Prime for Micro 4/3

Vazen Creates Native Anamorphic Prime for Micro 4/3

If you’ve ever browsed forums or joined a Facebook group for budget anamorphic lenses, there’s two things you’ll find in an abundance; Micro 4/3 cameras, and Frankenstein rigs held together with adapters and gaff tape. But now there’s a cure for one of those… The Vazen 1.8x Anamorphic Prime Lens.

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ALPA Brings Switar Back to Cinema

ALPA Brings Switar Back to Cinema

Swiss camera manufacturer ALPA has taken a big leap into the world of motion picture lenses by reviving the Switar brand. Their initial set of prime lenses will consist of a 35mm T3.5, 45mm T2.8, 55mm T3.5, 80mm T2.0, 140mm T2.8, and 210mm T4.0. The most pronounced feature of this new set is their massive 70mm image circle intended for motion picture use with medium format systems from the likes of Fujifilm, Hasselblad, and Phase One. Let’s take a closer look at what ALPA has planned for the Switar brand.

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Sigma Introduces Classic Line of Primes

Sigma Introduces Classic Line of Primes

In recent years, vintage lenses are consistently being hunted down by cinematographers for their nostalgic look and “in-camera quality.” Sigma noticed this trend which led to the development of their new line of primes. Introducing the Sigma Cine Classic Art Prime lenses.

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