a blog by Matthew Duclos
Zeiss has been working hard to bring three promised focal lengths to life, ahead of schedule. The much desired focal lengths are an 18mm T1.5, a 40mm T1.5, and a 200mm T2.2. The addition of these three lenses really fills out the Supreme Prime line very well.
Continue reading “Zeiss Nearly Completes the Supreme Line with 18, 40, and 200mm”
Introducing the first Motor Bracket Kit specifically produced for the Fujinon Premista Zoom line of lenses, designed and manufactured by Duclos Lenses.
Continue reading “Duclos Lenses Premieres New Premista Motor Bracket”
Laowa, the company behind other inspired unique lenses such as the 24mm Probe lens and the 12mm Zero-Distortion prime lens, have announced three new additions to their cine line: a 7.5mm, 9mm, and 15mm.
Continue reading “Laowa Expands Cine Line with 7.5, 9, and 15mm”
The newest wide-angle lens from Irix joins the ultra-wide 11mm, standard 45mm, and macro 150mm. Inspired by their popular Firefly and Blackstone 15mm f/2.4 models, the new cinema lens is lightweight, affordable, and exhibits very little distortion. Available in EF, E, PL and Micro 4/3 mounts.
Continue reading “Irix Introduces Cine 15mm T2.6 Ultra-Wide”
Tokina Cinema has announced the new 25-75mm T2.9. Its focal length falls between its predecessors 11-20mm and 50-135mm, creating a versatile trio of zooms.
Continue reading “Tokina Unveils New 25-75mm T2.9 Cine Zoom”
Veydra was a startup lens company with a solid idea that met its demise far too soon. As is the case with any ambitious idea with a lot of potential, there were curves and pitfalls that couldn’t be avoided. I had a front row seat to the entire adventure as a design consultant, a vendor, and a customer. The following is that account from my perspective.
Continue reading “RIP Veydra: 2014-2019”
UK based lens mount manufacturer MTF Services has announced a new conversion kit which will allow the Fujinon MK zooms to be converted to L-Mount. If the kit is anything like the rest of their products, it ought to be a proper method for getting the MK zooms onto your Panasonic, Sigma, or Leica camera.
Continue reading “Fujinon MK L-Mount Kit from MTF Services”
Rokinon announced their XEEN refresh back in September 2019 with only a few focal lengths. As promised, they’ve added two highly anticipated focal lengths to the XEEN CF line – a 16mm T2.6 and a 35mm T1.5
Continue reading “Rokinon Adds 16, 35 to XEEN CF Line”
Exciting news! Cooke Optics will be unveiling the latest Anamorphic/i Full Frame 85mm Macro lens at BSC Expo in just a couple of weeks.
Continue reading “Cooke Debuting Anamorphic/i FF+ 85mm Macro at BSC Expo”
Carrying on with their original line of motion picture lens accessories, Duclos Lenses is pleased to introduce the latest and quite possibly greatest Carry Handle and Motor Bracket for the Angenieux 12x Ultra.
Continue reading “New 12x Ultra Accessories from Duclos Lenses”
Possibly one of the most eagerly waited lenses announced at NAB last year – the Laowa 12mm Zero-D T2.9 Cine is finally ready to begin shipping nearly a year after its introduction. This lens is easily one of the widest, most well corrected lenses for Large Format cinematography.
Continue reading “Laowa 12mm Zero-D Now Shipping!”
If you’ve ever browsed forums or joined a Facebook group for budget anamorphic lenses, there’s two things you’ll find in an abundance; Micro 4/3 cameras, and Frankenstein rigs held together with adapters and gaff tape. But now there’s a cure for one of those… The Vazen 1.8x Anamorphic Prime Lens.
Continue reading “Vazen Creates Native Anamorphic Prime for Micro 4/3”
Swiss camera manufacturer ALPA has taken a big leap into the world of motion picture lenses by reviving the Switar brand. Their initial set of prime lenses will consist of a 35mm T3.5, 45mm T2.8, 55mm T3.5, 80mm T2.0, 140mm T2.8, and 210mm T4.0. The most pronounced feature of this new set is their massive 70mm image circle intended for motion picture use with medium format systems from the likes of Fujifilm, Hasselblad, and Phase One. Let’s take a closer look at what ALPA has planned for the Switar brand.
Continue reading “ALPA Brings Switar Back to Cinema”
Swiss lens company Irix is set to begin offering cinema lenses starting with their 150mm T3.0 Macro 1:1 lens. The Irix line of prime lenses, while limited, seem to be ideally situated for a future in cinematography thanks to their high quality, fully manual design.
Continue reading “Irix Begins Cine Line With 150mm Macro”
In recent years, vintage lenses are consistently being hunted down by cinematographers for their nostalgic look and “in-camera quality.” Sigma noticed this trend which led to the development of their new line of primes. Introducing the Sigma Cine Classic Art Prime lenses.
Continue reading “Sigma Introduces Classic Line of Primes”