Canon Debuts Cine-Servo 40-1200mm T5.0-10.8

Canon Debuts Cine-Servo 40-1200mm T5.0-10.8

Overview

Canon has officially introduced the Cine-Servo 40-1200mm T5.0-10.8, a new ultra-telephoto zoom that expands the company’s long-running Cine-Servo philosophy in a meaningful and ambitious direction. Framed by Canon as “Your Vision, Extended” and promoted as offering an “extraordinary zoom range in a compact footprint,” the lens is clearly designed to capture attention while reinforcing Canon’s position in the hybrid broadcast and cinema space.

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Canon VCM L Lenses for Filmmaking: A Complete Review for Hybrid Video Creators

Canon VCM L Lenses for Filmmaking: A Complete Review for Hybrid Video Creators

Canon has long been a trusted name in both photography and cinematography, but it’s been a while since we’ve highlighted any new releases from the brand. The last time we dove into their products, it was nearly two years ago, with the CN-E Flex Zoom lenses. Since then, Canon has been relatively quiet, especially as other brands have adapted to the mirrorless market. However, Canon recently launched the VCM L hybrid lenses, a series designed with promising features that could be particularly useful for video creators. The question is, how do they hold up for filmmaking, and more importantly, can they be Cine-Modded?

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Canon Expands Flex Zoom Series Cinema Lens Lineup

Canon Expands Flex Zoom Series Cinema Lens Lineup

Canon has announced the launch of two new additions to their highly popular 8K Flex Zoom Cinema Lens Series—the CN-E14-35mm T1.7 and the CN-E31.5-95mm T1.7 Super 35mm format lenses. In addition, Canon is also introducing four new relay kits—the RL-S1 and RL-S2 (for Super 35mm) and the RL-F1 and RL-F2 (for full-frame). These relay kits allow each Flex Zoom lens to be adapted to suit different sensor formats, providing enhanced versatility and value for cinematographers.

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Canon Announces Flex FF Zoom Lenses

Canon Announces Flex FF Zoom Lenses

After quite a long break from cine-specific zooms (aside from their hybrid style Cine-Servo line) Canon has introduced a new series of lenses for the company’s EF Cinema Lens lineup. A 20-50mm and 45-135mm, both with a maximum aperture of T2.4 which one may thing is reasonably fast, but combined with an image circle large enough to cover Full Frame formats!? That’s impressive. Let’s take a closer look at the new pair of zooms and the features that really make them stand out.

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Canon’s New Zoom Now Shipping

Canon’s New Zoom Now Shipping

I haven’t been impressed with a 10x zoom since the original Angenieux 25-250mm HR. There are have been several attempts at reviving that focal length; the Fujinon 25-300mm, Arri Alura 45-250mm, even an Angenieux 25-250mm Optimo Style zoom. None of these lenses were bad, they just weren’t particularly good. So I didn’t want to get my hopes up when Canon announced their 25-250mm Cine-Servo. But now that I’ve had a chance to play with it and put it through its paces…

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Canon Fills Gap In Primes With 20mm T1.5 CN-E

Canon Fills Gap In Primes With 20mm T1.5 CN-E

The Canon CN-E Primes have been out for quite some time now and have been tested on and off set by bloggers and cinematographers alike. There’s no doubting the capability of the CN-E Primes at this point. Beginning with a mere three prime lenses – 24, 50, and 85mm, Canon filled out the line with a 14, 35, 135mm over the next few years but then simply stopped adding focal lengths. We finally have a new lens to add to the CN-E line. Continue reading “Canon Fills Gap In Primes With 20mm T1.5 CN-E”

The Pacific Northwest Lens Summit

The Pacific Northwest Lens Summit

That’s right. It’s a lens test. I’ll be joining host Michael Koerner at his facility Koerner Camera Systems in Portland Oregon in just a few weeks. The perfect bridge between NAB and Cine Gear – Koerner will be hosting a range of manufacturers to showcase their latest gear. Less of a shootout and more of a hands-on event, we’ll be pairing up cameras and lenses and giving each a go to see what works best in different situations.

We’ll have lenses and reps from the following:

  • Angenieux
  • Arri
  • Canon
  • Cooke
  • Fujinon
  • IB/E
  • Leica
  • Lomo Illumina
  • PS Technik
  • Raptor
  • Sigma
  • Tokina
  • Zeiss

So how about it? Join us! No need to RSVP. You can find the event details over on Koerner’s facebook page. Looks like it’s going to be a good time. Come hang out. Drink. Eat. Mingle. I’ll have some swag on hand to give away. If you’re a lens geek like me and Michael Koerner, you’ll be in good company.

Canon Expands Compact-Servo Line with 70-200mm Tele-Zoom

Canon Expands Compact-Servo Line with 70-200mm Tele-Zoom

A favorite focal length of still photographers, and naturally of hybrid cinematographers bridging the gap between the worlds of still photography and motion picture, the new 70-200mm Compact-Servo is sure to be an ideal choice for the ultra-light documentary shooter. Canon’s 18-80mm Compact-Servo was announced about the same time last year, just ahead of NAB 2016. If you’re unfamiliar with the Compact-Servo line, imagine all the camera operators in the world using Canon’s L series still lenses. Now imagine half of them called Canon and complained that their L series lens doesn’t hold focus through the zoom and it doesn’t have integrated gears, and the focus isn’t reliable or repeatable… Then imagine Canon going to their engineers and explaining this – and that’s where we get the Compact-Servo zooms.  Continue reading “Canon Expands Compact-Servo Line with 70-200mm Tele-Zoom”

The Ultimate Vintage Lens Test

The Ultimate Vintage Lens Test

Over the course of two days, in a studio in Burbank, California, a band of self-proclaimed “lens geeks” set out to complete the ultimate vintage cinema lens test. The project first began as a collaboration between ShareGrid’s Brent Barbano, and Duclos Lenses’ own Matthew Duclos. Initially, Barbano and Duclos had been planning to complete a rather small-scale lens test with the industry’s most popular and widely used vintage lenses. However, upon approaching director and cinematographer Mark Lafleur to ask him to participate, they discovered that he too was getting ready to carry out his own vintage lens test. The two sides decided to join forces, and before long a whole team was assembled. With Lafleur and Barbano as Directors and Executive Producers, and Duclos as Lens Consultant, Kyle Stryker was brought on as Director of Photography. The team also came to include Camera Assistants Matthew Borek and Michelle Diaz, and Nick Ferriero as Editor. Continue reading “The Ultimate Vintage Lens Test”

NAB 2016 Preview

NAB 2016 Preview

NAB has officially begun. It looks like just about every lens manufacturer couldn’t keep it in their pants and dropped their news ahead of the actual show, with a few exceptions. This post is a general roundup up the news announced as of Sunday night before the show. We’ll be posting a daily wrap-up with a ton of photos and additional news from the show floor so be sure to subscribe and check back soon. If there’s anything we missed that you found interesting, send a tweet to @MQDuclos and we’ll make him run across the expo to check it out ;-). Let’s get to it! We’ve broken the product announcements up by manufacturer in alphabetical order. Continue reading “NAB 2016 Preview”

Canon’s New 18-80mm T4.4 Compact Servo Zoom

Canon’s New 18-80mm T4.4 Compact Servo Zoom

Yet another bombshell has landed in the NAB 2016 battleground. This time, it’s Canon who has struck with a brand new product in a whole new segment, perhaps only tapped otherwise by Sony – The 18-80mm T4.4 Compact Servo Zoom Lens which features a truly hybrid stills/motion design approach with some interesting cross-breed features.  Continue reading “Canon’s New 18-80mm T4.4 Compact Servo Zoom”