Fujifilm has been busy… If you’re a Fuji fan like I am, you’ve been completely obsessed with the new GFX mirrorless medium format camera and haven’t been paying attention to the other projects they’ve been working on. Which, when you think about it – is mind boggling, that Fujifilm is doing so much at once. This particular move is a bit different for Fujifilm. Instead of making something that fits tightly into their own ecosystem, Fujinon Optical Systems has designed and manufactured a purpose built cinema lens, exclusively for E-mount cinema cameras. A whole new line they’re calling the MK series. The first lens in the line will be the brand new MK18-55mm T2.9. Let’s explore!
Continue reading Fujinon’s New MK Series Launches With An 18-55mm T2.9, TRY IT at Duclos!
No… These aren’t cinema lenses. They’re auto-focus, still photography lenses. Sigma has just announced three new lenses in their ART line of still-photo lenses: 14mm f/1.8, 135mm f/1.8, and a 24-70mm f/2.8. So why am I posting about them? Because with Sigma’s new Cinema line of lenses, zooms and primes, I can imagine that these now options from Sigma will make their way into a cinema housing in the near future. Let’s discuss… Continue reading Sigma Announces New ART Series Lenses
Duclos Lenses released the first video in a new series they’re calling LENS GUTS. The name says it all. Lens geek, Matthew Duclos, sits down with a new lens each episode and tears into it, showing us the materials, build quality, and techniques used while he discusses the history or lesser known facts about each “patient”. Continue reading LENS GUTS – A New Video Series from Duclos Lenses
When Cooke advertises their lenses as “hand built in the UK”, they’re not joking. As someone who’s been lucky enough to experience the Cooke factory first-hand, I can confirm that every single lens is hand built by skilled technicians. This video shot by Florin Gabor back in 2013 takes us on a nice tour through the factory and shows a glimpse of each step of the lens manufacturing process. Continue reading Ever Wonder How Cooke Lenses Are Made?
Let’s sort this out… Ever since an article went live over at www.newsshooter.com I’ve had an email or a phone call almost once a day asking me if the new Sigma Cine Zooms were parfocal. Or as many of the calls/emails referred to it: “parafocal, paranormal, parafocusing, paralegal”, etc. etc. It’s parfocal (par·fo·cal), okay?! It seems like the entire industry suddenly became hyper aware of this term which has been around for a very long time and overnight, everyone’s a lens expert. Let’s make sure we’re all on the same page… Continue reading Are Sigma’s Cine Zooms Parfocal?
You may think that we’re paid by Rokinon based on how frequently we report on their new products, but I assure you, it’s simply because they space their products well and release them in a timely manner, as promised. This time, it’s a brand new 20mm Rokinon XEEN. Continue reading Rokinon Adds 20mm XEEN as Promised
Duclos Lenses has a new event series they’re calling NIGHT LIGHT. The idea is to get like-minded cinematographers and camera operators together with some good food and drinks in an informal, casual environment. Each event will feature a different lens manufacturer kicking off with Zeiss and their brand new 21-100mm LWZ.3 as well as the rest of the Zeiss product line and Duclos Cine-Mods. Continue reading Duclos Lenses Presents: NIGHT LIGHT
I’ve written about the Tokina 11-16mm many, many times. In fact, I was temporarily banned from REDUser years ago for backhandedly plugging the Duclos 11-16mm conversion – breaking the rules of the forum. I’ve since cleaned up my act (sort of). I speak often of the Duclos 11-16mm, and when I do, I always give credit to Tokina for making such a great product. I wanted to take a post here and acknowledge the original lens, it’s heritage, influence, and evolution over the past (nearly) decade. Continue reading Tokina’s Gateway to Cinema: The 11-16mm
Last month Sigma revealed that they were (finally) entering the cinema world with a brand new set of cine zooms and primes. On Thursday October 6th, with the help of Duclos Lenses, Sigma hosted a launch event for these new lenses at the ASC Clubhouse in Hollywood, California. Continue reading Duclos Lenses Presents Sigma Cine at the ASC Clubhouse : A Photo Recap
Over the course of two days, in a studio in Burbank, California, a band of self-proclaimed “lens geeks” set out to complete the ultimate vintage cinema lens test. The project first began as a collaboration between ShareGrid’s Brent Barbano, and Duclos Lenses’ own Matthew Duclos. Initially, Barbano and Duclos had been planning to complete a rather small-scale lens test with the industry’s most popular and widely used vintage lenses. However, upon approaching director and cinematographer Mark Lafleur to ask him to participate, they discovered that he too was getting ready to carry out his own vintage lens test. The two sides decided to join forces, and before long a whole team was assembled. With Lafleur and Barbano as Directors and Executive Producers, and Duclos as Lens Consultant, Kyle Stryker was brought on as Director of Photography. The team also came to include Camera Assistants Matthew Borek and Michelle Diaz, and Nick Ferriero as Editor. Continue reading The Ultimate Vintage Lens Test
Tokina entered the cinema lens market several years ago with a few zooms and a macro prime which were all ported over from their still photography line of lenses. Originally, their 11-16mm T3 (a lens that we lovingly began the trend with) lacked a PL mount option which it finally gained just recently, while the other lenses featured the PL mount as a factory option. The 11-16mm was accompanied by two additional zoom lenses – a 16-28mm T3 and a 50-135mm T3 and a lonely 100mm Macro prime lens. Last week, Tokina announced that it will begin manufacturing three brand new prime lenses – a 35mm, 50mm, and 85mm, all T1.5, and refreshing the 16-28mm with a version II. Continue reading Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!
We all knew additions to the Milvus line were eminent – we just couldn’t share details such as focal length and speed. Well now we can! The Milvus family is growing by way of a new 15mm f/2.8, 18mm f/2.8, and 135mm f/2.0, bringing the line to a total of nine lenses, 15mm through 135mm. So how do these new lenses fit in with their older brothers and sisters? Continue reading Zeiss Adds New Focal Lengths to Milvus Line Of Primes
Leica is known world-wide for their classic line of M lenses that have been a favorite of photographers for decades. With the worlds of still photography and motion picture becoming less and less defined as time goes on, it’s not uncommon to see a still photo lens being used for motion picture work. Leica took note of this with their extensive catalog of high quality M mount primes and decided to do a bit of blending themselves. Continue reading Leica Refocuses With M 0.8 Primes
This one has been a long time coming and I couldn’t be happier to be breaking this news to all that have waited so patiently. For the past couple of years I would receive an email or phone call about twice a month asking if we had plans to convert the Sigma 18-35mm and/or 50-100mm to a cine lens. I would consistently, politely decline citing high cost or some other hurdle that made such a project unattractive to my organization which was generally met with the oh so annoying “Well, this other company in China does it for real cheap”. Good for them… But alas, we can finally admit to the real reason why Duclos Lenses has avoided such a project. Sigma has taken it upon themselves to carry out what so many have asked for over the past couple of years; Manufacture a high quality, fast, lightweight range of zooms and primes direct from their factory in Aizu, Japan. Let’s take a look into the future of Sigma Cine. Continue reading Sigma Steps Into The Spotlight With New Cine Zooms and Primes