Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Tokina entered the cinema lens market several years ago with a few zooms and a macro prime which were all ported over from their still photography line of lenses. Originally, their 11-16mm T3 (a lens that we lovingly began the trend with) lacked a PL mount option which it finally gained just recently, while the other lenses featured the PL mount as a factory option. The 11-16mm was accompanied by two additional zoom lenses – a 16-28mm T3 and a 50-135mm T3 and a lonely 100mm Macro prime lens. Last week, Tokina announced that it will begin manufacturing three brand new prime lenses – a 35mm, 50mm, and 85mm, all T1.5, and refreshing the 16-28mm with a version II. Continue reading Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Zeiss Adds New Focal Lengths to Milvus Line Of Primes

We all knew additions to the Milvus line were eminent – we just couldn’t share details such as focal length and speed. Well now we can! The Milvus family is growing by way of a new 15mm f/2.8, 18mm f/2.8, and 135mm f/2.0, bringing the line to a total of nine lenses, 15mm through 135mm. So how do these new lenses fit in with their older brothers and sisters? Continue reading Zeiss Adds New Focal Lengths to Milvus Line Of Primes

Leica Refocuses With M 0.8 Primes

Leica is known world-wide for their classic line of M lenses that have been a favorite of photographers for decades. With the worlds of still photography and motion picture becoming less and less defined as time goes on, it’s not uncommon to see a still photo lens being used for motion picture work. Leica took note of this with their extensive catalog of high quality M mount primes and decided to do a bit of blending themselves.  Continue reading Leica Refocuses With M 0.8 Primes

Sigma Steps Into The Spotlight With New Cine Zooms and Primes

This one has been a long time coming and I couldn’t be happier to be breaking this news to all that have waited so patiently. For the past couple of years I would receive an email or phone call about twice a month asking if we had plans to convert the Sigma 18-35mm and/or 50-100mm to a cine lens. I would consistently, politely decline citing high cost or some other hurdle that made such a project unattractive to my organization which was generally met with the oh so annoying “Well, this other company in China does it for real cheap”. Good for them… But alas, we can finally admit to the real reason why Duclos Lenses has avoided such a project. Sigma has taken it upon themselves to carry out what so many have asked for over the past couple of years; Manufacture a high quality, fast, lightweight range of zooms and primes direct from their factory in Aizu, Japan. Let’s take a look into the future of Sigma Cine. Continue reading Sigma Steps Into The Spotlight With New Cine Zooms and Primes

Cooke Brings Back The Panchro Primes

Vintage lenses have been a major trend in the motion picture industry and Cooke is in a prime position to take advantage of their unrivaled heritage. They’ve just announced they’ll be reviving the classic Cooke Speed Panchro line of prime lenses that were first made in the 20’s and ran all the way through the 60’s. Let’s take a look at what information is currently available from Cooke. Continue reading Cooke Brings Back The Panchro Primes

Zeiss Revives LWZ Line With New 21-100mm T2.9-3.9 LWZ.3 Zoom

Just ahead of the European trade show trio, Zeiss has lifted the veil on their newest zoom lens project – The 21-100mm T2.9-3.9 LWZ.3. A Super 35 format, 4.7x cinema zoom lens weighing in at a mere four and a half pounds. We’ve got the scoop on Zeiss’ newest light weight zoom lens.
Continue reading Zeiss Revives LWZ Line With New 21-100mm T2.9-3.9 LWZ.3 Zoom

What’s in a Name? A Guide to Zeiss Super Speeds

One of the most frequent questions we receive at Duclos Lenses from all over the world is in regards to the different versions of the Zeiss Super Speeds. Sticking to just the 35mm format (not 16mm format) version of Zeiss’ high speed primes, we’ll discuss some of the basic differences in an attempt to clarify some common misconceptions around the heritage of illustrious prime lenses. Continue reading What’s in a Name? A Guide to Zeiss Super Speeds

Field Test – Duclos 2x Extender

For many years now I have used 1.4x and 2x extenders with my still lenses for both photography and video, and I am familiar with their advantages as well as their shortcomings.  Since PL mount lenses have really become my gear of choice lately, I was in the market for a good PL mount 2x extender. I am now the happy owner of the Duclos 2x Extender and I wanted to take a minute to share my first impressions of it. Continue reading Field Test – Duclos 2x Extender

Closer Look: Veydra 1.2 Expander

So you bought a high-end cine zoom that worked great on every Super 35 format camera ever made. It worked great on your Red Epic 5K. But then Red started making sensors that didn’t conform to any industry standards. The Dragon 6K came out and all the sudden your beautiful zoom lens wasn’t able to cover the entire sensor which was just slightly larger than Super 35 format. The best solution was to use a tele-extender which would increase your focal length by 1.4x or 2x and you would lose at least 1.5 stops of light. It solved the coverage issue, but had some pretty serious drawbacks. But, what if there was a tool that didn’t increase the focal length by much and only lost a little bit of transmitted light? Continue reading Closer Look: Veydra 1.2 Expander

NAB 2016 Recap, Final

And here we are – our last day on the NAB 2016 show floor. We scoped out all the major lens manufacturers’ new gear, go out hands on some brand new tech and soon-to-be-released models. We spoke with some of our favorite lens makers to see what’s coming down the pipe. Overall, we’re less than enthused… Here’s our closing thoughts on the state of the motion picture lens industry as of NAB 2016. Continue reading NAB 2016 Recap, Final

NAB 2016 Recap, Day 2

After a grueling first day, staying up until 2am to go through photos and data, sorting out what info is public and what is confidential R&D after meeting with so many of our favorite lens manufacturers, we have day two in the can as well. Here’s some more photos from the show floor and some additional product info based on your comments and tweets. Enjoy! Continue reading NAB 2016 Recap, Day 2