NEW! Cinematographer Trading Cards from Duclos Lenses

Introducing the first of their kind – limited edition Cinematographer Trading Card series from Duclos Lenses. Each mystery pack contains five unique cards featuring your favorite masters of exposure. Each card displays a photo of these icons of cinema along with their stats and history on the back – including social media handles and best known works.

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Leitz Cine Announces Plans for New Cine Primes and Zooms

Leitz Cine Announces Plans for New Cine Primes and Zooms During IBC 2018, Leitz Cine announced the development of a whole new set of twelve prime lenses designed for Full Frame/Vista Vision format as well as a brand new pair of cinema zoom lenses also designed for large format cinematography. Continue reading “Leitz Cine Announces Plans for New Cine Primes and Zooms”

Servicevision Announces New T1.4 FF Primes

Servicevision Announces New  T1.4 FF Primes

Originally reported by Jon Fauer at FDTimes, Servicevision has announced a new line of spherical large format primes, the Ultrascorpia 70, during IBC 2018. Fauer reports the lenses will be “light, small, and fast”. The look that these lenses will provide will be “silky smooth, film-look, excellent for digital sensors” said Andres Valles, owner of Servicevision.

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SIGMA Adds 28, 40, and 105mm High Speed T1.5 Primes to Cine Lineup

SIGMA Adds 28, 40, and 105mm High Speed T1.5 Primes to Cine Lineup

Just ahead of IBC, Sigma Cine has announced three brand new focal lengths to be added to their already well-rounded lineup of affordable high speed cinema primes, a 28mm T2.5, a 40mm T1.5, and a 105mm T1.5, bringing the total set count to ten lenses. Continue reading “SIGMA Adds 28, 40, and 105mm High Speed T1.5 Primes to Cine Lineup”

Something New Is Cooke-ing…

Something New Is Cooke-ing…

Cooke is keeping up with the trend by adding large format anamorphic lenses to its esteemed lineup.
After enthusiastic reception for the Cooke S7/i’s, this is certainly the right step forward.
First focal lengths to come will be 40mm, 50mm, 75mm, and 100mm, followed by 32mm, 135mm, and 180mm – all T2.3 with 110mm fronts. Continue reading “Something New Is Cooke-ing…”

Noct Your Average 58mm Prime

Noct Your Average 58mm Prime

Nikon has been around for over 100 years designing and building professional optics for photography, microscopes, binoculars, rifle scopes, and many other applications. For some reason their presence in the world of cinema optics has been very limited. It’s been decades since their C-Mount Cine-Nikkor super-16 lenses were being built (note: Nikkor is the name Nikon uses for almost all their photographic lenses, and Cine-Nikkor is the name used for their motion picture lenses). Over the years, some Nikon lenses originally made for still photography have made their way into cinema. Continue reading “Noct Your Average 58mm Prime”

Canon Fills Gap In Primes With 20mm T1.5 CN-E

Canon Fills Gap In Primes With 20mm T1.5 CN-E

The Canon CN-E Primes have been out for quite some time now and have been tested on and off set by bloggers and cinematographers alike. There’s no doubting the capability of the CN-E Primes at this point. Beginning with a mere three prime lenses – 24, 50, and 85mm, Canon filled out the line with a 14, 35, 135mm over the next few years but then simply stopped adding focal lengths. We finally have a new lens to add to the CN-E line. Continue reading “Canon Fills Gap In Primes With 20mm T1.5 CN-E”

Angenieux 42-420mm AS2: An Updated Anamoprhic Zoom

Angenieux 42-420mm AS2: An Updated Anamoprhic Zoom

Just ahead of NAB, Angenieux has announced a revised version of it’s 44-440mm Optimo AS2. The new lens is a 42-420mm T4.5. It retains the same physical dimensions and base optical design as the 44-440mm which was released back in 2016 – but features a few key updates.  Continue reading “Angenieux 42-420mm AS2: An Updated Anamoprhic Zoom”