Vazen Creates Native Anamorphic Prime for Micro 4/3

Vazen Creates Native Anamorphic Prime for Micro 4/3

If you’ve ever browsed forums or joined a Facebook group for budget anamorphic lenses, there’s two things you’ll find in an abundance; Micro 4/3 cameras, and Frankenstein rigs held together with adapters and gaff tape. But now there’s a cure for one of those… The Vazen 1.8x Anamorphic Prime Lens.

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ALPA Brings Switar Back to Cinema

ALPA Brings Switar Back to Cinema

Swiss camera manufacturer ALPA has taken a big leap into the world of motion picture lenses by reviving the Switar brand. Their initial set of prime lenses will consist of a 35mm T3.5, 45mm T2.8, 55mm T3.5, 80mm T2.0, 140mm T2.8, and 210mm T4.0. The most pronounced feature of this new set is their massive 70mm image circle intended for motion picture use with medium format systems from the likes of Fujifilm, Hasselblad, and Phase One. Let’s take a closer look at what ALPA has planned for the Switar brand.

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Sigma Introduces Classic Line of Primes

Sigma Introduces Classic Line of Primes

In recent years, vintage lenses are consistently being hunted down by cinematographers for their nostalgic look and “in-camera quality.” Sigma noticed this trend which led to the development of their new line of primes. Introducing the Sigma Cine Classic Art Prime lenses.

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Duclos Lenses Brings Musashi Brand to US

Duclos Lenses Brings Musashi Brand to US

Musashi Optical Systems is a fast-growing optical company based in Japan. Musashi specializes in design, manufacturing and sales of 4K and 8K optics for broadcasting and cinema industries, various types of custom-made lenses, and beam-splitters for industrial camera manufacturers. Musashi also makes quite a few accessories for the ENG lens industry including a very clever B4 to PL adapter as well as some lens control units for pairing ENG lenses with more cinematic cameras.

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Caldwell Chameleon – Flexible Anamorphic Primes

If you haven’t heard of Caldwell, you’re not alone. Brian Caldwell has been designing specialty optics for decades under different names or for production by other manufacturers. His latest project to be released is called the Chameleons – a flexiable 1.79x squeeze for both Super 35 and Full Frame / Vista Vision formats. We sat down with Brian to get a closer look at what makes these new primes unique.

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Vista One – More Character from Tokina Cinema

Tokina joined the cinema market with their Vista Primes which were met with open arms for their excellent image quality and coverage. But for many cinematographers, the lenses lacked character or personality. They were simply too clean or “clinical” as I’ve come to refer to them. But that changes with the Vista One primes.

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Leitz Cine Announces Plans for New Cine Primes and Zooms

Leitz Cine Announces Plans for New Cine Primes and Zooms During IBC 2018, Leitz Cine announced the development of a whole new set of twelve prime lenses designed for Full Frame/Vista Vision format as well as a brand new pair of cinema zoom lenses also designed for large format cinematography. Continue reading “Leitz Cine Announces Plans for New Cine Primes and Zooms”

Servicevision Announces New T1.4 FF Primes

Servicevision Announces New  T1.4 FF Primes

Originally reported by Jon Fauer at FDTimes, Servicevision has announced a new line of spherical large format primes, the Ultrascorpia 70, during IBC 2018. Fauer reports the lenses will be “light, small, and fast”. The look that these lenses will provide will be “silky smooth, film-look, excellent for digital sensors” said Andres Valles, owner of Servicevision.

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