Musashi Optical Systems is a fast-growing optical company based in Japan. Musashi specializes in design, manufacturing and sales of 4K and 8K optics for broadcasting and cinema industries, various types of custom-made lenses, and beam-splitters for industrial camera manufacturers. Musashi also makes quite a few accessories for the ENG lens industry including a very clever B4 to PL adapter as well as some lens control units for pairing ENG lenses with more cinematic cameras.Continue reading Duclos Lenses Brings Musashi Brand to US
If you haven’t heard of Caldwell, you’re not alone. Brian Caldwell has been designing specialty optics for decades under different names or for production by other manufacturers. His latest project to be released is called the Chameleons – a flexiable 1.79x squeeze for both Super 35 and Full Frame / Vista Vision formats. We sat down with Brian to get a closer look at what makes these new primes unique.Continue reading Caldwell Chameleon – Flexible Anamorphic Primes
During NAB 2019, Zeiss kept their promise to continue adding focal lengths to their Supreme line of cinema prime lenses. This time a duo of high speed primes capping both ends of the current Supreme range – 21mm T1.5 and 135mm T1.5Continue reading Zeiss Supreme Family Gains 21mm and 135mm
Tokina joined the cinema market with their Vista Primes which were met with open arms for their excellent image quality and coverage. But for many cinematographers, the lenses lacked character or personality. They were simply too clean or “clinical” as I’ve come to refer to them. But that changes with the Vista One primes.Continue reading Vista One – More Character from Tokina Cinema
Another pre-NAB announcement – Canon’s new Sumire Primes feature 7 focal lengths with pleasing character and a native PL mount. Read on for more details.Continue reading Canon Introduces the Sumire Primes
It’s that time of year. Just ahead of NAB 2019, Fujinon has announced a pair of brand new high-end cinema zoom lenses with a generous image circle capable of covering the entire range of modern large format motion picture cameras.Continue reading Livin’ Large with Fujinon’s Premista Zooms
Famed British lens re-housing company True Lens Service based out of Leicester, UK has adapted one of the must lust-worthy lenses from the photography world, to the realm of cinematography.
This weekend, the Sigma Corporation of America is celebrating its new facility opening in Burbank, CA and boy do they have your day booked!
Register for one, two, or all three events taking place on Saturday, November 3rd 2018 at 148 South Victory Boulevard, Burbank CA 91502. Continue reading SIGMA Arrives in Burbank
Laowa, a Chinese lens manufacturer known less for their marketing and more for their unique, thoughtful optical creations, has decided to break into the parallel world of motion picture lenses with their first ever purpose-built cinema zoom lens.
Originally reported by Jon Fauer at FDTimes, Servicevision has announced a new line of spherical large format primes, the Ultrascorpia 70, during IBC 2018. Fauer reports the lenses will be “light, small, and fast”. The look that these lenses will provide will be “silky smooth, film-look, excellent for digital sensors” said Andres Valles, owner of Servicevision.Continue reading Servicevision Announces New T1.4 FF Primes
Just ahead of IBC, Sigma Cine has announced three brand new focal lengths to be added to their already well-rounded lineup of affordable high speed cinema primes, a 28mm T2.5, a 40mm T1.5, and a 105mm T1.5, bringing the total set count to ten lenses. Continue reading SIGMA Adds 28, 40, and 105mm High Speed T1.5 Primes to Cine Lineup
Cooke is keeping up with the trend by adding large format anamorphic lenses to its esteemed lineup.
After enthusiastic reception for the Cooke S7/i’s, this is certainly the right step forward.
First focal lengths to come will be 40mm, 50mm, 75mm, and 100mm, followed by 32mm, 135mm, and 180mm – all T2.3 with 110mm fronts. Continue reading Something New Is Cooke-ing…
The Canon CN-E Primes have been out for quite some time now and have been tested on and off set by bloggers and cinematographers alike. There’s no doubting the capability of the CN-E Primes at this point. Beginning with a mere three prime lenses – 24, 50, and 85mm, Canon filled out the line with a 14, 35, 135mm over the next few years but then simply stopped adding focal lengths. We finally have a new lens to add to the CN-E line. Continue reading Canon Fills Gap In Primes With 20mm T1.5 CN-E
Just ahead of NAB, Angenieux has announced a revised version of it’s 44-440mm Optimo AS2. The new lens is a 42-420mm T4.5. It retains the same physical dimensions and base optical design as the 44-440mm which was released back in 2016 – but features a few key updates. Continue reading Angenieux 42-420mm AS2: An Updated Anamoprhic Zoom