a blog by Matthew Duclos
Just ahead of the IBC show in Amsterdam, Leitz Cine has unveiled their latest line of cinema lenses, the HUGO Primes. A set of 8 high-speed prime lenses in a fairly compact body. The focal length and maximum aperture may look a bit familiar, and for good reason. Let’s take a closer look at what Leitz has been working on.
Continue reading “Leitz Cine Reveals Hugo Line of Primes”
For the last five years cinematographers have been asking Sigma for a 65mm high speed prime. Sigma has responded with the addition of a 28mm, and 40mm, even a 105mm high speed prime. At long last, we’ll have a 65mm to fill out the ever-popular Sigma Cine Prime family. Sigma issued a press release with some details of this new lens as well as a few other updates.
Continue reading “Sigma Announces Development of 65mm T1.5 Cine Prime and more!”
It’s been a few months since we talked about DZOFilm here on The Cine Lens. Which means they’ve introduced a number of new products that we’ll go over as a round-up instead of flooding our feed with every new lens they announce.
Continue reading “DZOFilm Summer 2022 Roundup”
The Vega primes are the latest development by renowned cinema lens rehousing company, True Lens Services (TLS). We got together (virtually) with TLS Managing Director, Gavin Whitehurst and chatted about this new project. Enjoy!
Continue reading “New Vega Primes from TLS”
These lenses have been a long time coming. It’s hard to argue the popularity of Rokinon’s product lines – be it the regular photo lenses, the cine lenses, Cine DS, the XEEN or the XEEN CF… They’ve all been based on the same base optics for over a decade now. That’s right! Rokinon’s high speed primes lenses have been around since about 2010/2011 and they’re still going strong. So what does Rokinon have to show for all this success besides some fantastic worldwide sales numbers? Let’s find out.
Continue reading “Looking Ahead at XEEN Meister Primes”
DZOFilm is still a very new company to the motion picture industry. In fact, their initial product launch only dates back to 2019. Nearly one year since the launch of the Super 35 Pictor zooms, the latest full frame zoom lenses from DZOFilm – named “Catta” – have been announced.
Continue reading “DZOFilm Announces Catta Full Frame Cine Zooms”
Irix began offering cine versions of some of their popular photo lenses back in 2019 with the introduction of their 150mm Macro. While this was merely a re-purposing of their photo lens, it came with a promise of more dedicated cinema lenses. The Irix Cine 11mm and 15mm followed shortly which were also re-purposed photo lenses. Shortly thereafter, Irix introduced its first proper cine lens in the form of a 45mm T1.5. It checked practically all of the boxes one would want for such a lens and marked the beginning of them making good on their promise of more cine-specific lenses. We now have the next proper cine prime bringing the Irix Cine line to five lenses.
Continue reading “Irix Expands Cine Prime Line with 30mm T1.5”
Chinese lens manufacturer Zhongyi has ported their photo lenses over to three new cine lens housings, much to the delight of speed freaks given the ultra fast aperture of their new T1 Speedmaster series. I’ll go over a bit of the history, product lines, and future of their latest line of cine lenses.
Continue reading “Zhongyi Debuts Mitakon Cine Primes”
Cinematographers can now expand upon their creativity and use of artistic, controlled flares with the newly announced Supreme Prime Radiance focal lengths.
Continue reading “ZEISS Adds Four New SPR Focal Lengths”
Boutique lens manufacturer Tribe 7 has added a brand new 20.7mm prime lens to their current Blackwing line of primes. This brings the Blackwing set to a total of 8 high speed, full frame prime lenses. I never really covered the release of the original Blackwing primes back when they came out – mostly because they were shrouded in so much mystery and there weren’t too many firm details at the time. Since then, Tribe7 has gone on to become a fixture in the world of cinema optics. Let’s take a quick look at their story and the newest prime lens to join the family.
Continue reading “Tribe7 Adds 20.7mm to Blackwing Primes”
Looking to step up your game and step into the world of true cinematography lenses? Look no further. The Duclos Cine Mode Upgrade Kit works with any lens and gives it a unique, “Cine” appeal. Our engineers have refined the process of upgrading lenses and created a technique that is truly DIY. The Cine Mode Upgrade Kit is a cutting-edge product with specialized adhesive that is engineered to require little to no maintenance after installation.
Continue reading “Is This the BEST Lens Upgrade Ever?”
Tokina has been adding focal lengths to their Cinema Vista line of high speed, large format cinema prime lenses ever since they were first announced back in 2016. Let’s take a quick look back as well as a peek forward at the Vista Primes.
Continue reading “40mm T1.5 Joins Tokina Cinema Vista Primes”
DZOFILM is creating quite the buzz as of late (pun unintended – read on to understand the pun). They’ve tackled MFT zooms, S35 zooms, and now they have introduced their first Full Frame lenses: Vespid Cinema Primes.
Continue reading “DZOFILM Announces Full Frame “Vespid” Primes”
Photographic and cinema lens and accessory manufacturer, Irix, has introduced their new Irix Edge Circular Polarizer SR filter with some clever new technology that sets it apart from regular polarizer filters.
Continue reading “Irix Develops New Generation of Polarized Filter”
Fujinon has finally announced the latest addition to their Large Format Cine Zoom lineup: the Fujinon Premista 19-45mm T2.9. Fuji’s newest cine zoom is a short, lightweight wide-angle 19-45mm T2.9 zoom lens. Just like the 28-100mm T2.9 and the 80-250mm T2.9-3.5, the Premista 19-45mm produces images with natural and beautiful bokeh, outstanding high resolution, accurate color rendition, and controllable flare with minimal ghosting for capturing high dynamic range. Fujinon once again did an excellent job at ensuring minimal distortion throughout the entire zoom range allowing for less work in post-production phases and more creativity in the field.
Continue reading “A Third Fujinon Premista Zoom”