Lens Image Circle Database

I say database… But it’s really just a list trying to sound official.

So basically, RED has given the world a great deal of technology at a great price. But they also induced many a headache with different sensor sizes, resolutions, specs, and names. To make things a little easier, I’m compiling a list of lenses that pass through the shop and recording their image circle, or the diameter that they will cover without vignetting. This list will simply show you what the lenses are capable of. Feel free to comment on this post if you see any discrepancies or want a specific lens added. I want this to be as accurate as possible. Also note that the sensor/format sizes are generalized. There are a ton of different industry standards. There are several dozen formats that fall under 4 perf 35mm film alone.  Continue reading “Lens Image Circle Database”

Manual 11-16mm with Nikon F mount.

With the success of the PL mount manual 11-16mm, I decided to explore other options. It seems that there aren’t many good candidates for cine conversion out there. We made a hand full of PL mount Nikon 80-200mm lenses with the usual bells and whistles. But nothing that could keep up with our Tokina conversion.
Along the way I learned that many people had switched from PL to the Nikon mount on their RED camera to save money on glass. This is great because we also customize the Zeiss ZF lenses that are Nikon mount, but it left our available lens lineup a bit confused in regards to mounting options.


Many of our potential 11-16mm customers had already switched to Nikon mount, making our PL lens useless. I thought it would be great if I could offer a Nikon F mount version to those who still loved their Nikon glass and didn’t want to switch mounts frequently. The 11-16mm Tokina comes from the factory in a Nikon mount, but there is still no aperture control. With the complete cine-conversion, the aperture is activated and all the controls are manual, but now with a Nikon F mount. Perfect!

Ken Block’s Gymkhana Two Video

I was invited to the Los Angeles Harbor, for Ken Block’s newest viral video to try out a lens I’ve been working on. The day I went was a “pick-up” day with only a skeleton crew. About 15 people total shooting scenes that needed to be redone or added for one reason or another. Jay Schweitzer was there with his RED camera waiting to slap on a nice wide angle lens for some specific shots. Mayhem ensued as one would expect with Ken Block behind the wheel of a fully tuned Subaru WRX STi.  Check out the video…

Continue reading “Ken Block’s Gymkhana Two Video”