I know… There’s been a few wallpaper posts lately. It’s because we’re gearing up for NAB which is right around the corner. If you’re not familiar with NAB – you should be. It’s an annual convention that takes place in Las Vegas where manufacturers and vendors come together from all over the world. There’s tons of antenna companies and manufacturers who make blink light panels that I have no idea how to use but have to walk by to get the the lenses…
All you really need to know is that NAB is basically Christmas morning for lens geeks like us. Stay tuned for some very exciting lens news straight from the show floor and giveaways from Duclos Lenses. In the meantime, enjoy this 4K photo of a Leica Summicron-C 25mm – she’s a beaut.




NAB 2013 is officially underway. Aubrey and I have begun scouring the show floor for interesting new bits of information pertaining to cinematography and more specifically, lenses. I’ll be dividing this post by manufacturer and will continue to update throughout the show. If you have any tips, please feel free to
Leica makes some great lenses. They always have. Even their defunct Leica R series lenses are still working hard all around the world. It would almost seem that Leica is incapable of making low quality products. I just finished our Cine-Mod on a Leica APO-Macro-Elmarit-R 1:2.8/100, or as I like to call it, a Leica 100mm Macro. This lens performs like a dream for motion picture applications. It’s close focus is 2.5′ from the film plane which puts objects about 1.8′ from the front of the lens. Keep in mind, this is 100mm. It’s not THAT close considering the Zeiss ZF.2 100mm f/2.0 cranks all the way down to 18″ from the film plane which is about 8″ in front of the lens. The only draw back, which both the Leica and the Zeiss exhibit, is the massive amount of telescoping from infinity to close focus. Both lenses go from a modest 5″ length to a maximum of about 7″ at close focus. Still, Leica made some amazing glass that still does it’s job quite well.
Just received our first shipment of little fattys from Zeiss. More officially known as the
As any of you who follow me on twitter know, I’m a total Olympus fan boy. I have everything from an original OM to an E-620, an E-PL1 and an E-P3. How could I possibly resist the newest addition to the Olympus line-up, the OM-D E-M5. Sure then name sucks and can easily be confused with a fax machine model number… But lets just call it the OM-D for now since there isn’t another OM-D model to confuse it with. There are a lot of haters out there that say this isn’t a real OM since it isn’t even a range finder. It’s basically a re-bodied E-P3 with a few new tricks.
NAB comes once a year and it’s impossible to see everything even over the course of three days. But I do my best to see everything that I can that is relevant to me. So here is a collection of quick snap shots from around the show floor. Enjoy!
