In a recent post I declared that it’s better to invest in glass than in cameras since new cameras come out every few months. I wasn’t just saying that to get people to buy glass, I meant it. Just this year there have been at least half a dozen cameras released or announced, if not more. With more cameras there comes more choices for lenses. Wether it’s a BlackMagic camera with it’s mighty little crop sensor or the new 5DMk14B-R whatevermagig. Lenses will always be required for cinema and in todays economy it’s all about compromise. So where do you compromise and what lenses make the most sense for you? Continue reading “More Lens Options Than Ever”
A few quick picks from my bench of a Leica 60mm Macro lens being Cine-Modded. I’m sure you’ve all read countless posts about the Duclos Lenses Cine-Mod, but I use find the applications so interesting. People are finding the coolest old glass to use for cinema work and it just intrigues me so much. Have I mentioned that I love my job? – This specific lens received the works: An 80mm front ring, 32-pitch focus gear, damped/de-clicked aperture ring, and a fixed Eos mount. This little beauty will work great on just about an Eos mount camera including a RED Epic. Would love to see those results. Here are a few more pics.