Eager to show their engineering prowess, Zeiss has released a whole new line of SLR lenses they’re calling the Milvus. The new lenses include a 21mm f/2.8, 35mm f/2.0, 50mm f/1.4, 85mm f/1.4, 50mm f/2.0 Makro, and 100mm f/2.0 Makro. If you’re a Zeiss fan and these focal lengths all sound familiar to you, there’s a good reason for that – some of the previous ZF.2 lenses, which are now considered “classic” were based on relatively old optical designs. Continue reading “Zeiss Announces New Milvus Line of Primes”
Whaaat? I’ve been working with Zeiss for many, many years and I’ve never seen them do such a great deal. They’re offering up to $300 off per lens! On top of that, Duclos is cutting $100 off each Cine-Mod – another unheard of offer. If you ever considered snagging a set of ZF.2 or ZE primes or have some but want to fill out a set, now is the time. Take a look at the price reductions here. Read more from Duclos Lenses: Continue reading “Happy Birthday, Zeiss!”
Zeiss has spent the last three years working on a new line of high-end SLR lenses that many shooters are getting very excited about. The first lens to be released will be the 55mm f/1.4 – a perfect place to start considering the lacking results of the current 50mm f/1.4 ZF.2/ZE. They aren’t meant to replace the current line of ZF.2/ZE primes, but to offer an even higher level of quality. Zeiss claims that this new line of lenses will be unrivaled.
In this phase, all the details have to be right,” explains Casenave. “The variations in optical quality should be almost zero: every customer has to get exactly the same quality level. Also, in the product design there are a number of minor details that should be optimized. They are truly minor, but they make the difference to a standard product. Here again there should be nearly no variation from production.
In terms of still photo lenses, that’s a pretty believable claim. But stacking these new high-end primes up against the likes of motion picture optics such as Leica Summilux-C and Zeiss Master Primes will be a true test once they are available. Duclos Lenses will be very anxious to apply the Cine-Mod™ process to these new beauties as soon as they are available. Be sure to check back often for delivery and pricing updates. Read the entire blog post from Zeiss here.
I’ve been on a bit of a Zeiss kick here lately, partly because I genuinely appreciate their products, but mostly because they continue to innovate and provide new glass for their customers. Earlier this week we took delivery of the Zeiss 135mm T2.1 CP.2 which marked the first time Zeiss released a lens as a CP.2 before releasing it as a ZF.2 or ZE. I’ll be sure to put some tests of the 135mm up soon, it’s an impressive tele-prime to say the least. This brings me to todays topic. The ZF.2 lenses that the CP.2 primes are based on are still being produced in quantity and Zeiss continues to add focal lengths and updates older designs on a regular basis. There’s certainly no sign of them slowing down. However, if you pay attention to the inter-webs, you’d have noticed rumors and results of their new 55mm Distagon floating around. Continue reading “The Future of Zeiss DSLR Lenses”
Just received our first shipment of little fattys from Zeiss. More officially known as the Zeiss ZF.2 Distagon 15mm f/2.8. Those who pre-ordered should be receiving theirs shortly. I’ll be doing some extensive testing, likely comparing it to our 11-16mm as well as other wide angle lenses.
Zeiss recently announced that they will be utilizing the Micro Four Thirds standard on their sought after CP.2 Compact Primes. This will come in the form of an interchangeable mount in addition to the existing Nikon F, Canon Eos, and PL mount. The Micro 4/3 mount will allow the cinemaesque CP.2s to be used on the popular Panasonic AF-100 camera instead of adapting the Nikon, Canon, or PL mount. Just another example of Zeiss keeping up with the latest and greatest. The CP.2 lenses have an optional support hole on the bottom of the lens that I would strongly suggest utilizing since the Micro 4/3 mount is very fragile compared to a PL mount. I certainly wouldn’t suggest relying on only the Micro 4/3 mount to support a lens as heavy as a CP.2.
I debated on wether or not to make a new post for this one little item and then I realized that the interwebs are unlimited and if readers don’t want to read an entire post about one little ring, then they wont. 🙂 For those of you who are geeky enough to care about a simple ring, read on. Continue reading “80mm Fronts for Zeiss ZF.2/ZE”