Thorium-Induced Yellowing in Mid-Century Lenses – Cause, Effect, and Solutions

Thorium-Induced Yellowing in Mid-Century Lenses – Cause, Effect, and Solutions

Vintage camera lenses from the mid-20th century often develop a yellow or brown tint as they age. This “yellowing” results in a warm color cast and reduced light transmission, impacting image quality. At Duclos Lenses, our technicians frequently encounter this issue in classic optics across a wide variety of lens brands. This article endeavors to explain the technical causes of lens yellowing and outlines the process of de-yellowing – the restoration of clear glass – using ultraviolet (UV) light. We will delve into the physics behind the discoloration, the UV treatment procedure (sometimes called annealing or bleaching), as well as the associated effects, risks, and benefits. The intended audience is lens technicians and engineers, so we will prioritize scientifically grounded knowledge over speculative or anecdotal information.

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HEKTOR: New Inspired Primes from Leitz Cine

HEKTOR: New Inspired Primes from Leitz Cine

Leitz Cine has announced their newest lens line: the Hektor Primes, a six-lens set designed for today’s mirrorless cameras. Compact, consistent, and unapologetically character-driven, the Hektors represent a notable shift for Leitz Cine as they step into a price bracket and design philosophy aimed less at rental houses and more at working cinematographers who want artistry without sacrificing reliability or build quality.

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Sigma Launches AF Cine 28-45mm T2 FF Zoom

Sigma Launches AF Cine 28-45mm T2 FF Zoom

Sigma has officially pulled the curtain back on the 28-45mm T2 FF, the first release in its brand-new AF Cine Line. Launching November 6, 2025, this lens is more than just another short zoom; it’s Sigma’s declaration that autofocus has a place in professional cinema production. Available in L-Mount and Sony E, the 28-45mm arrives with cine-style mechanics, the optical pedigree of Sigma’s Art series, and a high-response linear actuator for fast, near-silent autofocus. For Sigma, this is both a technical showcase and a philosophical challenge to decades of manual-only cinema tradition.

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Understanding Shims in Cinema Lenses

Understanding Shims in Cinema Lenses

Over the past decade, the world of cinema optics has opened up. Lens manufacturers, responding to the growing demand for flexibility, have embraced modularity—giving end-users the option to swap mounts, service mechanical components, and yes, even adjust their own back focus. This accessibility is a win for the working cinematographer, but with it comes a flood of assumptions and, frankly, some dangerous misinformation. Grab a cup of coffee and read on for a more in-depth understanding of this commonly misrepresented feature.

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Laowa’s 10mm Zero-D Cine Prime Gets a PL Mount

Laowa’s 10mm Zero-D Cine Prime Gets a PL Mount

Laowa has added a long-awaited piece to their expanding ultra-wide cine arsenal: a factory-built PL-mount version of the 10mm T2.9 Zero-D VV Cine. With support confirmed for professional motion picture cameras, this release rounds out what is arguably one of the most complete ultra-wide full-frame prime sets in recent memory. But while the optics remain unchanged, the mount matters.

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Tokina Caps the Vista-P Line With New 180mm T1.9

Tokina Caps the Vista-P Line With New 180mm T1.9

Tokina has expanded its character-forward “Portrait” edition of the Vista-P lineup with a new 180mm T1.9—the series’ first telephoto focal length. Pre-orders are now open, with shipments expected to begin in October 2025. Here’s how it fits into Tokina’s growing cinema lens ecosystem.

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SIGMA Aizu Primes: A Love Letter to the Art of Cinematography

SIGMA Aizu Primes: A Love Letter to the Art of Cinematography

SIGMA’s latest foray into high-end cinema optics comes with a respectable technical achievement. The newly announced Aizu Prime Line is not just another set of fast cine primes. It’s the first complete set of full-frame T1.3 cinema lenses, an achievement that places SIGMA in rare company and challenges long-standing norms in lens design.

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Impressionist Cinema: DZO Announces the Arles Lustre Primes

Impressionist Cinema: DZO Announces the Arles Lustre Primes

DZOFILM is no stranger to high-speed glass. Their original Arles T1.4 primes offered a technically sharp, mechanically sound set of modern cine lenses that made few artistic claims but plenty of practical ones. Now, with the announcement of the Arles Lustre series, DZO takes a different tack—aiming straight for the hearts (and eyes) of cinematographers chasing mood, texture, and a brushstroke of nostalgia.

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TTArtisan 35mm T2.1 Cine: Dual-Bokeh?

TTArtisan 35mm T2.1 Cine: Dual-Bokeh?

Cine primes with unique character have always carved out a niche — sometimes out of necessity, sometimes out of nostalgia. TTArtisan’s new 35mm T2.1 Dual-Bokeh Cine lens seems to fall into both camps. Priced at just $380, this full-frame lens dares to embrace imperfection in a market where even budget glass often aspires to be unremarkably “correct.” But it’s not the usual aberrations or swirly backgrounds that make this lens stand out — it’s the switch.

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NiSi Raises the Bar with New T1.4 Aureus Primes

NiSi Raises the Bar with New T1.4 Aureus Primes

NiSi is set to expand its footprint in the cinema lens market with the introduction of the new Aureus Prime series—full-frame, T1.4 cinema lenses designed for uncompromising image quality and professional workflows. The new line builds on the momentum of the Athena Primes, which launched in 2023 with focal lengths from 14mm to 85mm and later grew to include 18mm, 40mm, and 135mm options. That series quickly established NiSi as a serious player among filmmakers seeking sharp, consistent optics and solid mechanical design at a competitive price point.

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DZOFilm Launches Another Probe Zoom, With a Twist!

DZOFilm Launches Another Probe Zoom, With a Twist!

DZOFilm has expanded its X-tract lineup with a new addition: the X-tract 90° 18-28mm T8 FF Probe Zoom. Unlike the original straight probe model, this version features a 90-degree bend, allowing for different shooting angles without requiring elaborate rigging. While the overall design and optical formula remain similar, the angled approach introduces some key differences that may be useful for certain applications.

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Tokina Introduces Vista-C Primes

Tokina Introduces Vista-C Primes

Tokina has announced its latest addition to the Vista Prime lineup—the Vista-C. This new variant aims to deliver a more vintage-inspired aesthetic with controlled contrast, unique flare characteristics, and a slightly less uniform image while maintaining the high resolution and T1.5 speed that define the Vista series. But does this really introduce something entirely new, or is it simply a refined iteration of an already solid lens platform? Let’s take a closer look.

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Cooke Retires S4 Series After 20+ Years of Excellence

Cooke Retires S4 Series After 20+ Years of Excellence

The news that Cooke Optics is ceasing production of the S4/i prime lenses is, for many in the cinematography world, like saying goodbye to an old friend. For over two decades, the S4 series has been a benchmark of optical excellence and mechanical precision. Its contribution to the art of visual storytelling—and its role in defining what we now universally recognize as the “Cooke Look”—can’t be overstated.

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Laowa Introduces 1.5x Full Frame Anamorphic Primes

Laowa Introduces 1.5x Full Frame Anamorphic Primes

Laowa has unveiled its Nanomorph 1.5x LF Anamorphic series, designed to cater to filmmakers seeking full-frame anamorphic lenses at a competitive price point. Promising professional-grade optical performance, the Nanomorph LF lineup introduces compact, lightweight lenses with a consistent 1.5x squeeze ratio and customizable flare options. Here’s a detailed look at what these lenses bring to the table.

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NiSi Announces Athena Tuned – Now With Character!

NiSi Announces Athena Tuned – Now With Character!

NiSi, a manufacturer of high-quality filters and lenses, has recently unveiled a limited-edition series of prime lenses, the Athena Tuned. These lenses are a unique twist on the popular Athena series, offering a more vintage-inspired aesthetic.

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