I know… Another Rokinon post. What can I say? They’re in high gear and don’t show any signs of slowing down anytime soon. Samyang, the magicians behind the Rokinon line of photo and cinema lenses have another new line of primes. Several months ago they announced their native E-mount auto-focus lenses which I completely ignored since they don’t really interest me (google it if auto-focus E-mount primes interest you), but Rokinon has just begun shipping two primes in a new line they’re calling “Speical Performance” or “SP” for short. Currently, these two lenses consist of a 14mm f/2.4 and an 85mm f/1.2. I spent a few weeks with the new 85mm so let’s give that a closer look Continue reading “A Closer Look at Rokinon’s New ‘Special Performance’ Line of Primes”
Not even six months ago, Rokinon announced a new line of cinema prime lenses deemed Xeen. This new prime lens set consisted of a 24mm, 50mm, and 85mm – intended to compete with the likes of Zeiss, Schneider, and Canon in terms of tech specs, features, and image quality. But there was no competition when it came to price. The Xeen primes halved the price of any of the aforementioned brands with little to no compromise elsewhere. Rokinon has filled in the obvious gaps with a 35mm T1.5 and a 14mm T3.1. Continue reading “Rokinon Reveals Two New Xeen Primes”
Zeiss discontinued their 15.5-45mm Lightweight Zoom (LWZ.2) about three months ago. This LWZ was a great range and a decent speed for hand-held and Steadicam work but it didn’t match up well with the design or build of the new Compact Zooms (CZ.2). Zeiss released the 70-200mm T2.9 Compact Zoom a few months back and has been slow to deliver since it’s release. The lens is an excellent tele-zoom that will be comfortable for shooters coming from DSLRs who loved their Canon, Nikon, Tamron, Sigma, Sony… Take your pick – just about every lens manufacturer makes a 70-200mm Tele-zoom. The 70-200mm performs very well at all focal lengths (review coming soon) which has left it in very high demand. Continue reading “Zeiss Drops Wide-Angle Zoom Hints”
Rokinon announced their 35mm T1.5 “cine lens” a few months back, their maiden offering in the world of budget cinema lenses. Now they’re announcing their next alteration set to release this September in the form of a wide angle prime lens. A 14mm T3.1 which actually sounds quite nice. Rokinon didn’t release any pricing but with a cheap plastic body and low-cost materials, the lens will certainly be a good, cheap alternative to higher priced wide angle options. It’s primary competitor will be lenses like the Canon 14mm f/2.8 which receives well deserved great reviews from Canon fanboys Continue reading “Rokinon’s Next “Cine Lens””
So I’ve decided to start posting more content here on MatthewDuclos.com that I would normally reserve for the Duclos Lenses Facebook Fan Page or Twitter etc. Most of the posts will be short blips, either photos or quick little videos, just quick, simple content. For starters here is a rather comical, yet surprisingly effective use of a Zeiss/Arri Master Prime on a Sony FS100 with Hot Rod Cameras PL mount. The Sony FS100 costs about $6,000. …Pocket change compared to the $25,000 price tag of the 14mm Master Prime. The lens costs more than four times as much as the camera. But it looks awesome! I didn’t record any footage but I will eventually. I was just trying out the Hot Rod Cameras mount adapter and it worked like a charm. Now… Enjoy the magnificent potential.