I haven’t been impressed with a 10x zoom since the original Angenieux 25-250mm HR. There are have been several attempts at reviving that focal length; the Fujinon 25-300mm, Arri Alura 45-250mm, even an Angenieux 25-250mm Optimo Style zoom. None of these lenses were bad, they just weren’t particularly good. So I didn’t want to get my hopes up when Canon announced their 25-250mm Cine-Servo. But now that I’ve had a chance to play with it and put it through its paces…Continue reading “Canon’s New Zoom Now Shipping”
Not to be outdone by other recent announcements from Canon and Fujinon, Angenieux announced today a new line of Optimo Style lenses that will be added to their extensive, respectable line of professional zoom lenses. The press release details the new lenses as a 16-40mm and a 30-76mm. The two new lenses with be offered with or without their new Angenieux Servo Unit (ASU). No word on the speed of the lenses just yet but it’ll likely be between T2.6 and T2.8. If you’re familiar with Angenieux’s current line of Optimo (15-40mm and 28-76mm) and Optimo DP (16-42mm and 30-80mm) lenses, it may sound like the new Optimo Style line is simply another variation on their existing lenses. The Optimo DP 16-42mm and 30-80mm will be discontinued as individual lenses and available in pairs tuned from the factory as a 3D package. The new Optimo Style lenses will also feature interchangeable mounts in Arri PL, Canon EF, and Panavision flavors. Both new Optimo Style lenses will weigh in at a very nice 4.2 lbs. – almost half the weight of other “lightweight” zooms available. Angenieux goes into more detail noting that these lenses are tailored for high standards of UHD 4K production and will be available Summer 2014.
Other bits included in the press release simply cover existing lenses, shipping soon the new 25-250mm Optimo and their now shipping 56-120mm S2 Anamorphic Zoom. One other detail new to the press release is the Angenieux Servo Unit (ASU) which Angenieux had mentioned about a year ago but has just now officially announced it. the ASU will work with all of the lightweight Optimo lenses. This now makes three manufacturers who have jumped aboard the CinENG train. (I just made that up: Cine + ENG = CinENG get it?) The (ASU) provides control of zoom, focus and iris and is compatible with broadcast remote handles, cinema remote controls and wireless remotes. It generates lens metadata based on the Cooke/i technology protocol. The ASU and lenses are matched and calibrated at the factory.
Read the full press release below and check back often for live updates from NAB where we’ll find out what the real details are behind the new Optimo Style line of lenses. New optics? Rebranding? Either way, Angenieux has a reputation all over the world for making top-notch cinema zooms.
Press Release from Angenieux
Thales Angénieux Debuts New Optimo Style Lens Series at NAB
Charting New Course for 4K and Beyond Live TV and Mid-Budget Cinema Productions
Las Vegas, NV (April 4, 2014) – Inspired by the escalating demands for cinematic quality content to meet the rise of multimedia viewing and the trend of Ultra definition television, Thales Angénieux is introducing their new Optimo Style Series of zoom lenses. The family features three zooms – two hand-held and one full size — and provides focal length from 16mm-250mm with ability to lengthen the range with a 2x extender. The two lightweight zooms are also available with the optional Angénieux lens servo motorization system.
“A wider spectrum of production content is migrating to a cinematic look with 4K quality and that trend requires equipment which is adaptable to a large variety of cameras, configurations and budgets,” said Pierre Andurand, President and CEO, Thales Angénieux. “The all-new Optimo Style Series addresses those needs and provides a benchmark for quality and price/performance. It takes into consideration the industry’s most stringent requirements for ergonomics and versatility for live TV recording. Angénieux is going to exceptional lengths to ensure the first deliveries of this new lens line will be made in Summer 2014.”
The 16-40mm and 30-76mm zoom lenses are extremely light weight at only 4.2 pounds each, allowing perfect camera balance for on the shoulder or hand- held configurations. The 25-250mm lens, weighing 16 pounds, is an all-purpose zoom featuring the
desirable 25mm wide angle position and a 10x zoom range to meet a variety of production needs. This lens was previously introduced at IBC 2013 branded Optimo DP.
The Optimo Style series is fully compatible with the latest generation of digital cameras and provides the unique cinematic look of the Optimo line at an affordable price. The lenses additionally feature an easily interchangeable mount (PL, Canon EF, Panavision) for full compatibility with a wide variety of cameras.
The Angénieux Servo Unit (ASU) provides control of zoom, focus and iris and is compatible with broadcast remote handles, cinema remote controls and wireless remotes such as Preston or others upon request. It generates lens metadata based on the Cooke/i technology protocol. To help ensure flawless performance, the ASU and lenses are matched and calibrated at the factory. The ASU will additionally be available as an option for all the Optimo Lightweight Cine Zooms including the Optimo Style 16- 40 and 30-76 and the Optimo 15-40, 28-76mm and 45-120mm lenses.