Back in April, at NAB, Cooke teased us all with a silhouette of a new zoom lens – the first zoom from the manufacturer since the workhorse 18-100mm, or if you recall the 15-40mm CXX from 2004… Then at Cine Gear earlier this year Cooke gave us a few more hints including the fact that the lens will be anamorphic. Continue reading “Cooke Unveils Details of New Anamorphic Zoom”
Leica makes some great lenses. They always have. Even their defunct Leica R series lenses are still working hard all around the world. It would almost seem that Leica is incapable of making low quality products. I just finished our Cine-Mod on a Leica APO-Macro-Elmarit-R 1:2.8/100, or as I like to call it, a Leica 100mm Macro. This lens performs like a dream for motion picture applications. It’s close focus is 2.5′ from the film plane which puts objects about 1.8′ from the front of the lens. Keep in mind, this is 100mm. It’s not THAT close considering the Zeiss ZF.2 100mm f/2.0 cranks all the way down to 18″ from the film plane which is about 8″ in front of the lens. The only draw back, which both the Leica and the Zeiss exhibit, is the massive amount of telescoping from infinity to close focus. Both lenses go from a modest 5″ length to a maximum of about 7″ at close focus. Still, Leica made some amazing glass that still does it’s job quite well.
I debated on wether or not to make a new post for this one little item and then I realized that the interwebs are unlimited and if readers don’t want to read an entire post about one little ring, then they wont. 🙂 For those of you who are geeky enough to care about a simple ring, read on. Continue reading “80mm Fronts for Zeiss ZF.2/ZE”