Mind-Bending Perspective: Laowa’s New 8-15mm T2.9 Zoom Fisheye

Mind-Bending Perspective: Laowa’s New 8-15mm T2.9 Zoom Fisheye

When you hear the name Laowa, what’s the first thing that comes to mind? Normally, and I’ll say this with the utmost respect, weird lenses. Laowa always goes against the norms, choosing innovation over following trends. They consistently deliver tools that at first seem niche or strange, but quickly prove themselves as must-haves once you see the results. I’ve always appreciated that approach. It’s a bit like that middle-school idea that not trying to be popular ends up making you stand out anyway.

Now comes the Laowa 8-15mm T2.9 Fisheye Zoom, their latest ultra-wide cine lens, and a potential game-changer for AR and VR creators. This lens fills a noticeable gap left by a certain lens with a red ring, which was widely used in immersive production workflows. The question is whether this new Laowa offering is simply trying to replicate what came before, or if it’s pushing things forward on its own terms.

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Canon VCM L Lenses for Filmmaking: A Complete Review for Hybrid Video Creators

Canon VCM L Lenses for Filmmaking: A Complete Review for Hybrid Video Creators

Canon has long been a trusted name in both photography and cinematography, but it’s been a while since we’ve highlighted any new releases from the brand. The last time we dove into their products, it was nearly two years ago, with the CN-E Flex Zoom lenses. Since then, Canon has been relatively quiet, especially as other brands have adapted to the mirrorless market. However, Canon recently launched the VCM L hybrid lenses, a series designed with promising features that could be particularly useful for video creators. The question is, how do they hold up for filmmaking, and more importantly, can they be Cine-Modded?

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ZEISS Otus ML: The Return of Legends, Now for the Mirrorless Generation

ZEISS Otus ML: The Return of Legends, Now for the Mirrorless Generation

After a five-year hiatus and a slew of rumors suggesting that ZEISS was bowing out of the still photography market, they’re back with a bang. Enter the Zeiss Otus ML line—a reimagining of the beloved Otus family that promises to shake up the mirrorless camera world. Today they are unveiling two focal lengths: 50mm f/1.4 and 85mm f/1.4.

The Otus ML lenses are intended to push optics in this new generation of mirrorless cameras. The original Otus primes to this day remain at the pinnacle of optics so the question is: Can the new iterations compare? Buckle up, this is going to be a long one.

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Snag A Close Up of the Laowa 60mm 1.5x Macro Anamorphic Prime

Snag A Close Up of the Laowa 60mm 1.5x Macro Anamorphic Prime

2024 is coming to a close, the holidays are around the corner and Laowa is the lens manufacturer that just keeps giving. Just in time for gift giving season the Laowa Nanomorph 60mm Macro Anamorphic is a perfect stocking-stuffer for the special Lens Geek in your life.

The Nanormorph 60mm fits in so well with the rest of the line up and truly makes me wonder why it took so long for a macro addition like this to be added. Let’s dive in and get a close up look.

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Sirui Nightwalker 16mm & 75mm T1.2 Primes

Sirui Nightwalker 16mm & 75mm T1.2 Primes

Enter the Void

Sirui has expanded its Nightwalker lineup with two new additions designed to enhance the creative capabilities of filmmakers and content creators alike. With a plethora of mount options including: Sony E, Canon RF, Fuji X, Micro Four Thirds, and L-Mount versions, these primes appear to be the Swiss army knives of the affordable compact cine lens category.

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Cooke SP3 Primes: A New Line of Compact Cine Primes for Mirrorless Camera Systems

Cooke SP3 Primes: A New Line of Compact Cine Primes for Mirrorless Camera Systems

Cooke is on a roll with their latest product rollouts and the new SP3 are no exception. Named after the classic Speed Panchro primes from Cooke, it’s safe to say this is the latest version of that concept. The”3″ in SP3 indicating it’s the third line to inherit what created nearly 75 years ago. The new set will consist of five prime lenses in an all-new super compact, lightweight housing aimed at mirrorless camera systems.

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