Famed British lens re-housing company True Lens Service based out of Leicester, UK has adapted one of the must lust-worthy lenses from the photography world, to the realm of cinematography.
Continue reading “Leica Noctilux Finally in PL Mount Thanks to TLS”
On January 15th, Canon Burbank held their New Year Open House featuring Duclos Lenses. Patrons were able to explore the complete Cinema EOS line-up and get hands-on experience with Canon cinema cameras and lenses in the various Canon Burbank test facilities, theater, and showroom. Continue reading “Canon’s New Year Open House Recap”
This weekend, the Sigma Corporation of America is celebrating its new facility opening in Burbank, CA and boy do they have your day booked!
Register for one, two, or all three events taking place on Saturday, November 3rd 2018 at 148 South Victory Boulevard, Burbank CA 91502. Continue reading “SIGMA Arrives in Burbank”
Laowa, a Chinese lens manufacturer known less for their marketing and more for their unique, thoughtful optical creations, has decided to break into the parallel world of motion picture lenses with their first ever purpose-built cinema zoom lens.
Continue reading “Laowa to Introduce Dedicated Cinema Lenses”
During IBC 2018, Leitz Cine announced the development of a whole new set of twelve prime lenses designed for Full Frame/Vista Vision format as well as a brand new pair of cinema zoom lenses also designed for large format cinematography.
Continue reading “Leitz Cine Announces Plans for New Cine Primes and Zooms”
Originally reported by Jon Fauer at FDTimes, Servicevision has announced a new line of spherical large format primes, the Ultrascorpia 70, during IBC 2018. Fauer reports the lenses will be “light, small, and fast”. The look that these lenses will provide will be “silky smooth, film-look, excellent for digital sensors” said Andres Valles, owner of Servicevision.
Continue reading “Servicevision Announces New T1.4 FF Primes”
Just ahead of IBC, Sigma Cine has announced three brand new focal lengths to be added to their already well-rounded lineup of affordable high speed cinema primes, a 28mm T2.5, a 40mm T1.5, and a 105mm T1.5, bringing the total set count to ten lenses. Continue reading “SIGMA Adds 28, 40, and 105mm High Speed T1.5 Primes to Cine Lineup”
Cooke is keeping up with the trend by adding large format anamorphic lenses to its esteemed lineup.
After enthusiastic reception for the Cooke S7/i’s, this is certainly the right step forward.
First focal lengths to come will be 40mm, 50mm, 75mm, and 100mm, followed by 32mm, 135mm, and 180mm – all T2.3 with 110mm fronts. Continue reading “Something New Is Cooke-ing…”
Nikon has been around for over 100 years designing and building professional optics for photography, microscopes, binoculars, rifle scopes, and many other applications. For some reason their presence in the world of cinema optics has been very limited. It’s been decades since their C-Mount Cine-Nikkor super-16 lenses were being built (note: Nikkor is the name Nikon uses for almost all their photographic lenses, and Cine-Nikkor is the name used for their motion picture lenses). Over the years, some Nikon lenses originally made for still photography have made their way into cinema. Continue reading “Noct Your Average 58mm Prime”
The Canon CN-E Primes have been out for quite some time now and have been tested on and off set by bloggers and cinematographers alike. There’s no doubting the capability of the CN-E Primes at this point. Beginning with a mere three prime lenses – 24, 50, and 85mm, Canon filled out the line with a 14, 35, 135mm over the next few years but then simply stopped adding focal lengths. We finally have a new lens to add to the CN-E line. Continue reading “Canon Fills Gap In Primes With 20mm T1.5 CN-E”
Just ahead of NAB, Angenieux has announced a revised version of it’s 44-440mm Optimo AS2. The new lens is a 42-420mm T4.5. It retains the same physical dimensions and base optical design as the 44-440mm which was released back in 2016 – but features a few key updates. Continue reading “Angenieux 42-420mm AS2: An Updated Anamoprhic Zoom”
Today, Arri officially announced their new, keeping up with the Jones’s, Alexa LF (Large Format). More importantly, the announcement wasn’t just a new camera, but a new system. This means new camera, new mount, and new LENSES! I suppose the new camera is large format compared to other cameras, but what about the new lenses? How do they fare in comparison, on paper at least, to other cinema lenses currently on the market? Let’s take a look at the new Signature Primes from Arri. Continue reading “Arri’s New Signature Prime Series “Large Format””
While this post diverges from cinema just a tad, it’s particularly interesting to us. Duclos Lenses has been working with Formlabs for several years now, dating back to their original Form1 machine. To see such an inspiring use of modern technology compelled me to repost this quick article and share with the rest of you. Take a look and enjoy! Continue reading “The World’s Largest Lens”
ZERØ OPTIK began as the passion project of cinematographer/engineer Alex Nelson who wanted to build the world’s most well engineered 35mm Pinhole lens. He succeeded. But that wasn’t enough for Alex. The next project he’d tackle was going to be far more complex and far more rewarding. And that’s where we begin this post… The original Bausch & Lomb Baltars. We sat down with Alex to get an inside look at where ZERØ OPTIK comes from and where it’s going.
Continue reading “ZERØ OPTIK Brings Vintage Baltars Back to Life”
Many of you may remember a little site that I began several years ago called LensRescue.com. It’s goal was to be a marketplace for high-end motion picture lenses. But with the growth of Duclos Lenses and the birth of my first daughter, I simply didn’t have the attention or the resources to dedicate to the site and it faded away. Fast-forward several years and I’m thrilled to bring my newest venture to life; LensFinder.com Continue reading “LensFinder.com Launches Online Marketplace for Vintage and Pre-Owned Lenses”