A Sticky Situation: How to Properly Store Cinema Lenses

A Sticky Situation: How to Properly Store Cinema Lenses

It’s late in the afternoon and I am sitting at my desk casually culling images for upcoming posts when I suddenly get called out to the service room. I walk in to see Michelle and Paul Duclos standing around a plastic bag on the desk with strange looks on their faces and pointing at me to open it. As I pull the plastic off, I come to realize what has them taken aback. A sad sight. Placed in the bag was a Canon K35 zoom that was completely caked with mushy deteriorated foam the same texture and stickiness of a toasted marshmallow.

My first thought: This is going to make a great story. The second: I need gloves.

Continue reading “A Sticky Situation: How to Properly Store Cinema Lenses”

Canon VCM L Lenses for Filmmaking: A Complete Review for Hybrid Video Creators

Canon VCM L Lenses for Filmmaking: A Complete Review for Hybrid Video Creators

Canon has long been a trusted name in both photography and cinematography, but it’s been a while since we’ve highlighted any new releases from the brand. The last time we dove into their products, it was nearly two years ago, with the CN-E Flex Zoom lenses. Since then, Canon has been relatively quiet, especially as other brands have adapted to the mirrorless market. However, Canon recently launched the VCM L hybrid lenses, a series designed with promising features that could be particularly useful for video creators. The question is, how do they hold up for filmmaking, and more importantly, can they be Cine-Modded?

Continue reading “Canon VCM L Lenses for Filmmaking: A Complete Review for Hybrid Video Creators”

The Sirui 40mm T1.8 1.33x is Anamorphic AF

The Sirui 40mm T1.8 1.33x is Anamorphic AF

Over the past year, a fresh batch of exciting lenses has emerged, adding new flavors to the ever-evolving lens industry. While these releases have certainly stirred the pot, as the saying goes, the technique you use can make all the difference in the final dish. Now, Sirui enters the scene with their bold campaign for the 40mm T1.8 1.33x AF Anamorphic Prime, leaving us to wonder: Will this new ingredient enhance the overall recipe, or will it be a flavor that fades into the background?

Don’t worry there are no more references to food going forward.

Continue reading “The Sirui 40mm T1.8 1.33x is Anamorphic AF”

Is the SIGMA 28-45mm Concept the Future of Cinema Lenses?

Is the SIGMA 28-45mm Concept the Future of Cinema Lenses?

Sigma’s 28-45mm T2 autofocus cine lens raises important questions about the future of cinema lenses, particularly in a world where traditional, manual-control zoom lenses have been the gold standard for decades. The introduction of autofocus in cinema lenses challenges a long-held belief: that manual control by a skilled focus puller is irreplaceable, especially in high-end narrative filmmaking.

Continue reading “Is the SIGMA 28-45mm Concept the Future of Cinema Lenses?”