SIGMA Adds 28, 40, and 105mm High Speed T1.5 Primes to Cine Lineup

Just ahead of IBC, Sigma Cine has announced three brand new focal lengths to be added to their already well-rounded lineup of affordable high speed cinema primes, a 28mm T2.5, a 40mm T1.5, and a 105mm T1.5, bringing the total set count to ten lenses. Continue reading SIGMA Adds 28, 40, and 105mm High Speed T1.5 Primes to Cine Lineup

Rokinon Announces Two New Mirrorless Primes

rokmirrorlessRokinon has been stirring up the lens market for a couple of years offering very affordable options for photographers and cinematographers alike. They just began shipping their lovely Xeen Cinema Primes recently and already have a new product line to announce, designed specifically for mirrorless systems. A 21mm f/1.4 and a 50mm f/1.2.  Continue reading Rokinon Announces Two New Mirrorless Primes

Duclos Zeiss ZF.2 Speed Prime Set Now Available

Zeiss CP.2 Super Speeds a bit out of your price range or simply too bulky for your run-n-gun style of shooting? Get the same results in a lighter, smaller, and more affordable package with the Zeiss ZF.2 Speed Prime Set by Duclos Lenses. Continue reading Duclos Zeiss ZF.2 Speed Prime Set Now Available

Zeiss 85mm Plays Nice With Sony FS100

A perfect example of the versatility of the Zeiss ZF.2 series. This 85mm f1/.4 comes in a Nikon mount from the factory. With a few upgrades and modifications, it’s perfectly suited for motion picture use. I performed the standard three part Cine-Mod which includes an 80mm front ring (77mm filter thread), 32-pich (0.8 module) seamless focus gear, and of course the de-clicked, dampened aperture ring. In addition to the standard Cine-Mod, I also added one of our semi-permanent Canon Eos mounts. This mount conversion physically attaches to the body of the lens and essentially takes the place of the original Nikon mount, effectively making the Zeiss ZF.2 a native Canon Eos mount lens. An excellent mount modification for use on a 5D or 7D. I just happened to have received a Canon Eos mount for my FS100 that I thought I would try out with this lens and it worked great. There is a little bit of play between the mounts, but no more motion than I would expect from a Canon lens attached to a Canon camera. The focus and aperture movement on this lens are like soft butter, creamy smooth. With a Super 35mm sized sensor on the FS100, the bokeh from this f/1.4 85mm is simply dreamy. I love it! I’ll be shooting some test footage in the near future with a few different lens makes and models. I just need to find an interesting topic and create some decent content. I’m tired of test charts… 😉