The Xenon FF-Primes are only a few weeks away and are positioned to be an excellent mid-range set of prime lenses. But what if you want something with just a tad more performance? You reach for the Schneider Cine-Xenar III primes. I did a quick write up on these a few months back explaining how Schneider drastically improved the operational usability of the Xenar IIIs over the previous two versions. Unfortunately the first two iterations may have left a sour taste in some operators mouths. So what’s the best way to encourage cinematographers to give the Xenars another chance? Discount the heck out of them. Continue reading “Schneider Cine-Xenar III Rebate + Warranty Offer”
So you bought a new Sony F5 or even better, an F55. Or you’re upgrading from a 5D to a C100 or C300. You’re Red Epic needs some better glass for the upcoming Dragon sensor. Regardless, congrats. Now you need some lenses to get the best performance out of your new camera. But where do you start? I don’t know if you’ve noticed, but there’s a new camera almost every month these days. Sensor tech continues to improve and grow. However, lenses are a lifetime investment. Unless you jumped on the 2/3″ train and bought some lenses that are useless now you may have also noticed that a set of, now vintage, classic Zeiss Super Speeds is still $50k and they’re almost 40 years old!!! Let’s explore some options that won’t break the bank and still give you some amazing performance. Continue reading “2013 Cine Prime Lens Buyers Guide”
Duclos Lenses recently announced a now program that offers customers the ability to bring their equipment in anytime for what is essentially routine check-up and maintenance. Any lens purchased from Duclos Lenses is eligible for two years from the date of purchase at no additional cost to the customer. This is great for users who shoot in harsh climates or rough conditions since they can simply bring their lens in to Duclos Lenses after a shoot and have it cleaned up, back-focus checked and calibrate, and evaluated for any potential damage done during the shoot. It’s like having your own personal lens tech to inspect your gear before and/or after every shoot. Considering Duclos Lenses has been servicing lenses for over a decade and has over 100 years of combined motion picture lens service experience, this is just another reason why Duclos Lenses is the premiere destination for professional motion picture optics. Continue reading “Proper Maintenance Is Critical For New Lenses”
This post has been updated since it was first released to reflect up-to-date information including pre-order details (above).
One would assume that these full frame (FF) prime lenses are intended for still photographers, but there are a lot of features that will appeal to cinematographers just just as much as still photogs. I recently had the opportunity to review an early set of the Schneider Cine-Xenar III primes which I consider to be proper, classic cinema primes. Read the whole post here. At the moment the mid-range cine lens options include the likes of the Zeiss CP.2, Canon CN-E Primes, and a few others not worth mentioning. A bit of background on this class of lenses; the CP.2s are based on their lower-priced cousins, the ZF.2 photo primes. The CN-Es are also based on their lower-priced cousins, the L Series photo primes.
Schneider-Kreuznach has a broad history in the world of optics. They’ve produced many sets of motion picture lenses as well as a plethora of photographic lenses for just about every format imaginable. A few NABs ago they announced that they were introducing a new line of motion picture lenses, the Cine-Xenars. I was particularly excited because they had long since absorbed Century Precision Optics back in 2000 and I had been expecting great things from both companies with the impending motion picture revolution. …And then I saw the prototype lenses.