a blog by Matthew Duclos
The ever-popular Leica R primes have been modified and rehoused by many companies for several years but none so elegantly as Leicester, UK-based outfit, TLS. While a Leica R re-housing by TLS has been available for quite some time, this is the first time that TLS is offering a solution direct to customers without a middle-man. But what makes the Leica R lenses and the TLS housing such a great pairing? Let’s explore!
Continue reading “TLS Brings Premium Leica R Rehousing Home”
Laowa has unveiled their latest anamorphic offering, the Proteus Flex Series, which introduces a new level of flexibility with interchangeable flare modules. As I sat down to write about this new series, I took a trip through The Cine Lens Archive to see what I had written about the original Proteus lenses. To my surprise, I never published anything on that launch—so I’m making sure not to miss the opportunity this time. The Proteus Flex series offers a unique combination of modular design and high-end performance, and it’s certainly a step forward for cinematographers seeking versatile anamorphic tools.
Continue reading “Laowa Proteus Flex Series: Next-Level Anamorphic Flexibility”
Sigma’s 28-45mm T2 autofocus cine lens raises important questions about the future of cinema lenses, particularly in a world where traditional, manual-control zoom lenses have been the gold standard for decades. The introduction of autofocus in cinema lenses challenges a long-held belief: that manual control by a skilled focus puller is irreplaceable, especially in high-end narrative filmmaking.
Continue reading “Is the SIGMA 28-45mm Concept the Future of Cinema Lenses?”
Cooke Optics has just expanded their acclaimed S8/i Full Frame (FF) lens range with the addition of the highly anticipated 21mm T1.4. This new focal length extends the versatility of the S8/i line, enabling cinematographers to capture stunning wide-angle shots while maintaining the signature look that Cooke is known for.
Continue reading “Cooke Adds 21mm T1.4 to S8/i Line”
Leitz Cine has expanded their popular HUGO line of cinema lenses with three new additions: the 66 mm T2.1, 75 mm T2.1, and 90 mm T2.1. These new lenses, part of the newly dubbed HUGO II series, join the existing 10 focal lengths in the HUGO lineup, bringing more versatility and options to the highly respected lens family. Let’s take a closer look at these new additions and how they stack up against their faster predecessors.
Continue reading “Leitz Cine Expands Hugo Line”
Duclos Lenses is excited to announce the availability for pre-order of three new lenses in the NiSi Athena Prime series: the 18mm T2.2, 40mm T1.9, and 135mm T2.2. These lenses expand the Athena Prime range, offering cinematographers enhanced creative flexibility and compatibility with mirrorless cinema cameras.
Continue reading “NiSi Adds 18mm, 40mm, and 135mm Primes to Athena Line”
Duclos Lenses, a leading provider of high-quality motion picture lens services, accessories, and modifications, is excited to announce a new strategic cooperation with IB/E Optics, the renowned German manufacturer of precision motion picture optics and accessories. This collaboration marks a significant step forward in offering an even broader range of products and services to the cinematography community.
Continue reading “IB/E Products and Service Now Available from Duclos Lenses”
At Duclos Lenses, we take pride in our tradition of innovation and excellence in the world of cinematography. From our bespoke lens modifications to our unwavering dedication to customer satisfaction, we’re always seeking new ways to push the boundaries of what’s possible. Today, we’re delighted to introduce our latest offering: Vitruvius Scales!
Continue reading “Duclos Lenses Introduces Vitruvius Scales – A Classical Twist on Modern Lens Focusing!”
It’s been quite a while since Zeiss released a new cine lens. In fact, the Supreme Primes were the latest addition to the Zeiss cine family. A few focal lengths have been added such as the Supreme 15mm and if we want to really stretch Zeiss portfolio additions, we can also include the Supreme Radiance – Zeiss’ answer to the vintage lens craze. Aside from those, there really hasn’t been a whole lot of buzz out of the German lens manufacturer. That’s about to change!
Continue reading “Zeiss Announces Nano Primes – Fast, Compact, Cine Primes for Mirrorless Cameras”
In the ever-evolving world of cinematography, where innovation meets tradition, Tokina Cinema has made a bold leap with its latest creation – the Vista-P lenses. Departing from the conventional pursuit of perfection, these lenses offer cinematographers a unique blend of vintage aesthetics and cutting-edge resolution. The Vista-P Prime series introduces a perspective shift, not just in the final imagery but also in the process of lens tuning.
Continue reading “Tokina Announces Vista-P Primes”
DZOFilm is finally, formally announcing their Pavo Primes – 2x anamorphic cinema lenses that aim to further democratize the world of anamorphic filmmaking. While these lenses don’t introduce any groundbreaking features per se, they bring a sense of reliability and consistency that’s precious in a professional production environment. The set will consist of a 28mm, 32mm, 40mm, 55mm, and 75mm at launch and a 100mm to come later this year. The 28mm through 75mm will all be T2.1 while the 100mm will be a respectable T2.4. Let’s take a look at more details.
Continue reading “PAVO Primes – a New Line of 2x Anamorphics from DZOFilm”
Cooke is on a roll with their latest product rollouts and the new SP3 are no exception. Named after the classic Speed Panchro primes from Cooke, it’s safe to say this is the latest version of that concept. The”3″ in SP3 indicating it’s the third line to inherit what created nearly 75 years ago. The new set will consist of five prime lenses in an all-new super compact, lightweight housing aimed at mirrorless camera systems.
Continue reading “Cooke SP3 Primes: A New Line of Compact Cine Primes for Mirrorless Camera Systems”
I’ve added a simple new feature to the Duclos Lenses website that allows visitors to see a short list of rental houses that have specific lens models available for rental. At a time when our industry is at a moral deficit, this new feature is tiny gesture, a modest attempt at helping the businesses that have been so kind to us over the last twenty years. If you’re a rental house or have friends at rental houses, read on and help spread the word!
Continue reading “Rental Referral Initiative from Duclos Lenses”
Venus Optics, well known for their unique, innovative lens creations, releases their latest version of their popular probe lens – the Laowa Pro2be lens, building upon the successes of its predecessors; the 24mm Probe and 24mm PeriProbe lenses. Let’s delve into what we know about the Pro2be lens so far.
Continue reading “Laowa Improves the 24mm Probe Again With New “Pro2be””
Sirui, a renowned name in the budget cine lens market, has just launched an exciting new line of compact cinema-style lenses under the name “Night Walker.” Designed to cater to cinematographers and filmmakers on a budget, the Night Walker series features three versatile lenses, including 24mm, 35mm, and 55mm focal lengths, each boasting an impressive T1.2 aperture. These lenses are compatible with APS-C and Super35 sensors, offering exceptional low-light performance without compromising image quality.
Continue reading “Sirui Launches Campaign for Nightwalker Primes”