Canon Expands Compact-Servo Line with 70-200mm Tele-Zoom

Canon Expands Compact-Servo Line with 70-200mm Tele-Zoom

A favorite focal length of still photographers, and naturally of hybrid cinematographers bridging the gap between the worlds of still photography and motion picture, the new 70-200mm Compact-Servo is sure to be an ideal choice for the ultra-light documentary shooter. Canon’s 18-80mm Compact-Servo was announced about the same time last year, just ahead of NAB 2016. If you’re unfamiliar with the Compact-Servo line, imagine all the camera operators in the world using Canon’s L series still lenses. Now imagine half of them called Canon and complained that their L series lens doesn’t hold focus through the zoom and it doesn’t have integrated gears, and the focus isn’t reliable or repeatable… Then imagine Canon going to their engineers and explaining this – and that’s where we get the Compact-Servo zooms.  Continue reading “Canon Expands Compact-Servo Line with 70-200mm Tele-Zoom”

Angenieux Adds 48-130mm to Optimo Style Line

Angenieux Adds 48-130mm to Optimo Style Line

Ahead of NAB 2017, Angenieux has announced another addition to the Optimo Style line of zooms – a 48-130mm T3. The 48-130mm features a 2.7x zoom range along with the other lightweight Optimo Style zooms, the 16-40mm and 30-76mm. It weighs 4.3 lbs and Angenieux states it is idea for hand held, steadicam and drones productions. Continue reading “Angenieux Adds 48-130mm to Optimo Style Line”

S7/i Full Frame Plus: Cooke’s Answer to Vista Vision

S7/i Full Frame Plus: Cooke’s Answer to Vista Vision

It’s no surprise that Cooke is joining the Full Frame revolution. They’ve cornered the market on stylized, romantic cinema glass and now they’re taking aim at the Vista Vision crowd to ensure the Cooke Look is carried over to just about any format out there. The new S7/i primes will cover an image circle up to 46.31mm which is slightly larger than standard Full Frame (hence the “PLUS” in the product name). Just ahead of NAB 2017, let’s take a look at the next big addition to the Vista Vision lens market from Cooke. Continue reading “S7/i Full Frame Plus: Cooke’s Answer to Vista Vision”

Fuji X-Mount for Veydra Mini Primes Coming Soon

Fuji X-Mount for Veydra Mini Primes Coming Soon

The increasing popularity of Fujifilm’s cameras for quick, nimble motion picture work has begun another trend in the mirrorless realm – using legacy legacy lenses for cinematic work. Similar to the popularity of the Sony E-mount ecosystem, the X-mount features a similar shallow flange depth that makes adapting older SLR lenses a breeze with a plethora of cheap, accessible adapters. But what if you wanted an affordable, purpose built cinema lens for the X-mount system without using cheap, flimsy adapters?  Continue reading “Fuji X-Mount for Veydra Mini Primes Coming Soon”

Leica Announces New Thalia Line Ahead of NAB

Leica Announces New Thalia Line Ahead of NAB

Here’s something a bit different from everyone’s favorite German lens manufacturer – Leica’s new Thalia prime lenses which tout a massive 60mm image circle. More than enough to cover any current digital cinema sensors. The new Thalia line takes aim at cinematographers looking for a more character-rich image.  Continue reading “Leica Announces New Thalia Line Ahead of NAB”

Leica Macro-Lux Line Expands with +0.5 and +2 Diopters

Leica Macro-Lux Line Expands with +0.5 and +2 Diopters

Leica announced the original +1 Macro-Lux Diopter last year and it has quickly become the go-to clamp-on diopter for a wide range of productions. If you didn’t catch the announcement at NAB 2016, I’ll recap for you really quickly… The Macro-Lux +1 is essentially a super high quality clamp-on diopter. If you’re not familiar with diopters, think of them as a very quick way to achieve closer focus than what’s normally possible. A +1 is a pretty standard magnification which is why Leica released this one first. Now you can achieve even greater artistic goals with the +0.5 and +2 Macro-Lux. Continue reading “Leica Macro-Lux Line Expands with +0.5 and +2 Diopters”

Fujinon’s New MK Series Launches With An 18-55mm T2.9, TRY IT at Duclos!

Fujinon’s New MK Series Launches With An 18-55mm T2.9, TRY IT at Duclos!

Fujifilm has been busy… If you’re a Fuji fan like I am, you’ve been completely obsessed with the new GFX mirrorless medium format camera and haven’t been paying attention to the other projects they’ve been working on. Which, when you think about it – is mind boggling, that Fujifilm is doing so much at once. This particular move is a bit different for Fujifilm. Instead of making something that fits tightly into their own ecosystem, Fujinon Optical Systems has designed and manufactured a purpose built cinema lens, exclusively for E-mount cinema cameras. A whole new line they’re calling the MK series. The first lens in the line will be the brand new MK18-55mm T2.9. Let’s explore!
Continue reading “Fujinon’s New MK Series Launches With An 18-55mm T2.9, TRY IT at Duclos!”

Sigma Announces New ART Series Lenses

Sigma Announces New ART Series Lenses

No… These aren’t cinema lenses. They’re auto-focus, still photography lenses. Sigma has just announced three new lenses in their ART line of still-photo lenses: 14mm f/1.8, 135mm f/1.8, and a 24-70mm f/2.8. So why am I posting about them? Because with Sigma’s new Cinema line of lenses, zooms and primes, I can imagine that these now options from Sigma will make their way into a cinema housing in the near future. Let’s discuss… Continue reading “Sigma Announces New ART Series Lenses”

LENS GUTS – A New Video Series from Duclos Lenses

LENS GUTS – A New Video Series from Duclos Lenses

Duclos Lenses released the first video in a new series they’re calling LENS GUTS. The name says it all. Lens geek, Matthew Duclos, sits down with a new lens each episode and tears into it, showing us the materials, build quality, and techniques used while he discusses the history or lesser known facts about each “patient”.  Continue reading “LENS GUTS – A New Video Series from Duclos Lenses”

Ever Wonder How Cooke Lenses Are Made?

Ever Wonder How Cooke Lenses Are Made?

When Cooke advertises their lenses as “hand built in the UK”, they’re not joking. As someone who’s been lucky enough to experience the Cooke factory first-hand, I can confirm that every single lens is hand built by skilled technicians. This video shot by Florin Gabor back in 2013 takes us on a nice tour through the factory and shows a glimpse of each step of the lens manufacturing process. Continue reading “Ever Wonder How Cooke Lenses Are Made?”

Are Sigma’s Cine Zooms Parfocal?

Are Sigma’s Cine Zooms Parfocal?

Let’s sort this out… Ever since an article went live over at www.newsshooter.com I’ve had an email or a phone call almost once a day asking me if the new Sigma Cine Zooms were parfocal. Or as many of the calls/emails referred to it: “parafocal, paranormal, parafocusing, paralegal”, etc. etc. It’s parfocal (par·fo·cal), okay?! It seems like the entire industry suddenly became hyper aware of this term which has been around for a very long time and overnight, everyone’s a lens expert. Let’s make sure we’re all on the same page… Continue reading “Are Sigma’s Cine Zooms Parfocal?”

Rokinon adds 16mm T2.6 to Xeen Line

Rokinon adds 16mm T2.6 to Xeen Line

Last week Rokinon announced that the latest addition to their XEEN by Rokinon line, the 16mm T2.6 lens, is available immediately from authorized dealers. This is the first XEEN lens to be released since the 135mm lens began shipping last July, and is the first (but most likely not the last) XEEN of 2017. Continue reading “Rokinon adds 16mm T2.6 to Xeen Line”

Duclos Lenses Presents: NIGHT LIGHT

Duclos Lenses Presents: NIGHT LIGHT

Duclos Lenses has a new event series they’re calling NIGHT LIGHT. The idea is to get like-minded cinematographers and camera operators together with some good food and drinks in an informal, casual environment. Each event will feature a different lens manufacturer kicking off with Zeiss and their brand new 21-100mm LWZ.3 as well as the rest of the Zeiss product line and Duclos Cine-Mods.  Continue reading “Duclos Lenses Presents: NIGHT LIGHT”

Tokina’s Gateway to Cinema: The 11-16mm

Tokina’s Gateway to Cinema: The 11-16mm

I’ve written about the Tokina 11-16mm many, many times. In fact, I was temporarily banned from REDUser years ago for backhandedly plugging the Duclos 11-16mm conversion – breaking the rules of the forum. I’ve since cleaned up my act (sort of). I speak often of the Duclos 11-16mm, and when I do, I always give credit to Tokina for making such a great product. I wanted to take a post here and acknowledge the original lens, it’s heritage, influence, and evolution over the past (nearly) decade.  Continue reading “Tokina’s Gateway to Cinema: The 11-16mm”