a blog by Matthew Duclos
Venus Optics, well known for their unique, innovative lens creations, releases their latest version of their popular probe lens – the Laowa Pro2be lens, building upon the successes of its predecessors; the 24mm Probe and 24mm PeriProbe lenses. Let’s delve into what we know about the Pro2be lens so far.
Continue reading “Laowa Improves the 24mm Probe Again With New “Pro2be””
Sirui, a renowned name in the budget cine lens market, has just launched an exciting new line of compact cinema-style lenses under the name “Night Walker.” Designed to cater to cinematographers and filmmakers on a budget, the Night Walker series features three versatile lenses, including 24mm, 35mm, and 55mm focal lengths, each boasting an impressive T1.2 aperture. These lenses are compatible with APS-C and Super35 sensors, offering exceptional low-light performance without compromising image quality.
Continue reading “Sirui Launches Campaign for Nightwalker Primes”
Exciting news from Swiss-based lens manufacturer Irix with the announcement of development of a new addition to their popular cinema prime lens series. Since their inception in 2019, Irix has been dedicated to providing filmmakers with the highest quality lenses suitable for a wide range of cameras. Their existing cine lens lineup already boasts an impressive array of focal lengths, but the forthcoming 65mm T1.5 lens is set to fill a crucial gap in their product offerings.
Continue reading “Irix Adds 65mm T1.5 to Cine Prime Line”
NiSi has just announced its latest offering in the world of cinema lenses: the ATHENA series. These compact, full-frame prime lenses are designed for filmmakers who demand exceptional optical performance, smooth operation, and versatile compatibility with various camera systems.
Continue reading “NiSi Doubles Down With New ATHENA Primes”
Canon has announced the launch of two new additions to their highly popular 8K Flex Zoom Cinema Lens Series—the CN-E14-35mm T1.7 and the CN-E31.5-95mm T1.7 Super 35mm format lenses. In addition, Canon is also introducing four new relay kits—the RL-S1 and RL-S2 (for Super 35mm) and the RL-F1 and RL-F2 (for full-frame). These relay kits allow each Flex Zoom lens to be adapted to suit different sensor formats, providing enhanced versatility and value for cinematographers.
Continue reading “Canon Expands Flex Zoom Series Cinema Lens Lineup”
This week DZO announced two new zooms to round out their existing zoom families. A 12-25mm T2.8 Super 35 Pictor zoom and a 18-35mm T2.9 Catta full frame zoom.
Continue reading “DZO Rounds out their Zooms”
Just ahead of the IBC show in Amsterdam, Leitz Cine has unveiled their latest line of cinema lenses, the HUGO Primes. A set of 8 high-speed prime lenses in a fairly compact body. The focal length and maximum aperture may look a bit familiar, and for good reason. Let’s take a closer look at what Leitz has been working on.
Continue reading “Leitz Cine Reveals Hugo Line of Primes”
For the last five years cinematographers have been asking Sigma for a 65mm high speed prime. Sigma has responded with the addition of a 28mm, and 40mm, even a 105mm high speed prime. At long last, we’ll have a 65mm to fill out the ever-popular Sigma Cine Prime family. Sigma issued a press release with some details of this new lens as well as a few other updates.
Continue reading “Sigma Announces Development of 65mm T1.5 Cine Prime and more!”
It’s been a few months since we talked about DZOFilm here on The Cine Lens. Which means they’ve introduced a number of new products that we’ll go over as a round-up instead of flooding our feed with every new lens they announce.
Continue reading “DZOFilm Summer 2022 Roundup”
Cooke recently announced their latest endeavour – the S8/i Full Frame Primes. These new lenses will be their flagship set of cinema primes with seven focal lengths available immediately and an additional nine in development bringing the set to 16 focal lengths once completed.
Continue reading “Cooke Begins Shipping S8/i Full Frame Primes”
Canon announced their new Flex Zooms last month with a slew of features that seem to check all the boxes that professional cinematographers have been asking for. But how true to their name are they?
Continue reading “How Flexible Are Canon’s New Flex Zooms?”
After quite a long break from cine-specific zooms (aside from their hybrid style Cine-Servo line) Canon has introduced a new series of lenses for the company’s EF Cinema Lens lineup. A 20-50mm and 45-135mm, both with a maximum aperture of T2.4 which one may thing is reasonably fast, but combined with an image circle large enough to cover Full Frame formats!? That’s impressive. Let’s take a closer look at the new pair of zooms and the features that really make them stand out.
Continue reading “Canon Announces Flex FF Zoom Lenses”
The Vega primes are the latest development by renowned cinema lens rehousing company, True Lens Services (TLS). We got together (virtually) with TLS Managing Director, Gavin Whitehurst and chatted about this new project. Enjoy!
Continue reading “New Vega Primes from TLS”
These lenses have been a long time coming. It’s hard to argue the popularity of Rokinon’s product lines – be it the regular photo lenses, the cine lenses, Cine DS, the XEEN or the XEEN CF… They’ve all been based on the same base optics for over a decade now. That’s right! Rokinon’s high speed primes lenses have been around since about 2010/2011 and they’re still going strong. So what does Rokinon have to show for all this success besides some fantastic worldwide sales numbers? Let’s find out.
Continue reading “Looking Ahead at XEEN Meister Primes”
DZOFilm is still a very new company to the motion picture industry. In fact, their initial product launch only dates back to 2019. Nearly one year since the launch of the Super 35 Pictor zooms, the latest full frame zoom lenses from DZOFilm – named “Catta” – have been announced.
Continue reading “DZOFilm Announces Catta Full Frame Cine Zooms”