Canon Expands Flex Zoom Series Cinema Lens Lineup

Canon Expands Flex Zoom Series Cinema Lens Lineup

Canon has announced the launch of two new additions to their highly popular 8K Flex Zoom Cinema Lens Series—the CN-E14-35mm T1.7 and the CN-E31.5-95mm T1.7 Super 35mm format lenses. In addition, Canon is also introducing four new relay kits—the RL-S1 and RL-S2 (for Super 35mm) and the RL-F1 and RL-F2 (for full-frame). These relay kits allow each Flex Zoom lens to be adapted to suit different sensor formats, providing enhanced versatility and value for cinematographers.

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Zeiss Continues to Shine with New Supreme Prime Radiance

On Thursday November 7th, Zeiss announced their newest line of lenses: the Zeiss Supreme Prime Radiance. They feature an all new T* blue coating that allows cinematographers to create beautiful, consistent and controlled flares while maintaining high image quality for which Zeiss is known. Other attributes include large-format coverage, high speed, robustness and smooth reliable focus – all in a small, light-weight package.

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Vista One – More Character from Tokina Cinema

Tokina joined the cinema market with their Vista Primes which were met with open arms for their excellent image quality and coverage. But for many cinematographers, the lenses lacked character or personality. They were simply too clean or “clinical” as I’ve come to refer to them. But that changes with the Vista One primes.

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Tokina’s Gateway to Cinema: The 11-16mm

Tokina’s Gateway to Cinema: The 11-16mm

I’ve written about the Tokina 11-16mm many, many times. In fact, I was temporarily banned from REDUser years ago for backhandedly plugging the Duclos 11-16mm conversion – breaking the rules of the forum. I’ve since cleaned up my act (sort of). I speak often of the Duclos 11-16mm, and when I do, I always give credit to Tokina for making such a great product. I wanted to take a post here and acknowledge the original lens, it’s heritage, influence, and evolution over the past (nearly) decade.  Continue reading “Tokina’s Gateway to Cinema: The 11-16mm”

Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Tokina entered the cinema lens market several years ago with a few zooms and a macro prime which were all ported over from their still photography line of lenses. Originally, their 11-16mm T3 (a lens that we lovingly began the trend with) lacked a PL mount option which it finally gained just recently, while the other lenses featured the PL mount as a factory option. The 11-16mm was accompanied by two additional zoom lenses – a 16-28mm T3 and a 50-135mm T3 and a lonely 100mm Macro prime lens. Last week, Tokina announced that it will begin manufacturing three brand new prime lenses – a 35mm, 50mm, and 85mm, all T1.5, and refreshing the 16-28mm with a version II. Continue reading “Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!”

Leica Refocuses With M 0.8 Primes

Leica Refocuses With M 0.8 Primes

Leica is known world-wide for their classic line of M lenses that have been a favorite of photographers for decades. With the worlds of still photography and motion picture becoming less and less defined as time goes on, it’s not uncommon to see a still photo lens being used for motion picture work. Leica took note of this with their extensive catalog of high quality M mount primes and decided to do a bit of blending themselves.  Continue reading “Leica Refocuses With M 0.8 Primes”

Zeiss Revives LWZ Line With New 21-100mm T2.9-3.9 LWZ.3 Zoom

Zeiss Revives LWZ Line With New 21-100mm T2.9-3.9 LWZ.3 Zoom

Just ahead of the European trade show trio, Zeiss has lifted the veil on their newest zoom lens project – The 21-100mm T2.9-3.9 LWZ.3. A Super 35 format, 4.7x cinema zoom lens weighing in at a mere four and a half pounds. We’ve got the scoop on Zeiss’ newest light weight zoom lens.
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Angenieux Reveals New Anamorphic Zoom Ahead of NAB

Angenieux Reveals New Anamorphic Zoom Ahead of NAB

It was only a matter of time before Angenieux anamorphasized it’s 25-250mm Optimo Style and here it is. A 44-440mm T4.5 2X anamorphic zoom. This lens rounds out the rest of Angenieux’s anamorphic line-up which consists of a wide 30-72mm T4, and the mid-range 56-152mm T4. Let’s take a look at some of the finer details of this brand new anamorphic telephoto  zoom. Continue reading “Angenieux Reveals New Anamorphic Zoom Ahead of NAB”