Tokina entered the cinema lens market several years ago with a few zooms and a macro prime which were all ported over from their still photography line of lenses. Originally, their 11-16mm T3 (a lens that we lovingly began the trend with) lacked a PL mount option which it finally gained just recently, while the other lenses featured the PL mount as a factory option. The 11-16mm was accompanied by two additional zoom lenses – a 16-28mm T3 and a 50-135mm T3 and a lonely 100mm Macro prime lens. Last week, Tokina announced that it will begin manufacturing three brand new prime lenses – a 35mm, 50mm, and 85mm, all T1.5, and refreshing the 16-28mm with a version II. Continue reading Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!
Leica is known world-wide for their classic line of M lenses that have been a favorite of photographers for decades. With the worlds of still photography and motion picture becoming less and less defined as time goes on, it’s not uncommon to see a still photo lens being used for motion picture work. Leica took note of this with their extensive catalog of high quality M mount primes and decided to do a bit of blending themselves. Continue reading Leica Refocuses With M 0.8 Primes
This one has been a long time coming and I couldn’t be happier to be breaking this news to all that have waited so patiently. For the past couple of years I would receive an email or phone call about twice a month asking if we had plans to convert the Sigma 18-35mm and/or 50-100mm to a cine lens. I would consistently, politely decline citing high cost or some other hurdle that made such a project unattractive to my organization which was generally met with the oh so annoying “Well, this other company in China does it for real cheap”. Good for them… But alas, we can finally admit to the real reason why Duclos Lenses has avoided such a project. Sigma has taken it upon themselves to carry out what so many have asked for over the past couple of years; Manufacture a high quality, fast, lightweight range of zooms and primes direct from their factory in Aizu, Japan. Let’s take a look into the future of Sigma Cine. Continue reading Sigma Steps Into The Spotlight With New Cine Zooms and Primes
Vintage lenses have been a major trend in the motion picture industry and Cooke is in a prime position to take advantage of their unrivaled heritage. They’ve just announced they’ll be reviving the classic Cooke Speed Panchro line of prime lenses that were first made in the 20’s and ran all the way through the 60’s. Let’s take a look at what information is currently available from Cooke. Continue reading Cooke Brings Back The Panchro Primes
Just ahead of the European trade show trio, Zeiss has lifted the veil on their newest zoom lens project – The 21-100mm T2.9-3.9 LWZ.3. A Super 35 format, 4.7x cinema zoom lens weighing in at a mere four and a half pounds. We’ve got the scoop on Zeiss’ newest light weight zoom lens.
Continue reading Zeiss Revives LWZ Line With New 21-100mm T2.9-3.9 LWZ.3 Zoom
For many years now I have used 1.4x and 2x extenders with my still lenses for both photography and video, and I am familiar with their advantages as well as their shortcomings. Since PL mount lenses have really become my gear of choice lately, I was in the market for a good PL mount 2x extender. I am now the happy owner of the Duclos 2x Extender and I wanted to take a minute to share my first impressions of it. Continue reading Field Test – Duclos 2x Extender
Back to the weekly grind. It’s Monday. Let’s get it started right with a bit of light reading. Continue reading Weekly News Roundup #6
NAB is officially over and we have a ton of news from throughout the show at the links below. Now back to our regular schedule. Start your monday off with a bit of light reading from TheCineLens.com. Continue reading Weekly News Roundup #5
And here we are – our last day on the NAB 2016 show floor. We scoped out all the major lens manufacturers’ new gear, go out hands on some brand new tech and soon-to-be-released models. We spoke with some of our favorite lens makers to see what’s coming down the pipe. Overall, we’re less than enthused… Here’s our closing thoughts on the state of the motion picture lens industry as of NAB 2016. Continue reading NAB 2016 Recap, Final
After a grueling first day, staying up until 2am to go through photos and data, sorting out what info is public and what is confidential R&D after meeting with so many of our favorite lens manufacturers, we have day two in the can as well. Here’s some more photos from the show floor and some additional product info based on your comments and tweets. Enjoy! Continue reading NAB 2016 Recap, Day 2
NAB has officially begun. It looks like just about every lens manufacturer couldn’t keep it in their pants and dropped their news ahead of the actual show, with a few exceptions. This post is a general roundup up the news announced as of Sunday night before the show. We’ll be posting a daily wrap-up with a ton of photos and additional news from the show floor so be sure to subscribe and check back soon. If there’s anything we missed that you found interesting, send a tweet to @MQDuclos and we’ll make him run across the expo to check it out ;-). Let’s get to it! We’ve broken the product announcements up by manufacturer in alphabetical order. Continue reading NAB 2016 Preview
Yet another bombshell has landed in the NAB 2016 battleground. This time, it’s Canon who has struck with a brand new product in a whole new segment, perhaps only tapped otherwise by Sony – The 18-80mm T4.4 Compact Servo Zoom Lens which features a truly hybrid stills/motion design approach with some interesting cross-breed features. Continue reading Canon’s New 18-80mm T4.4 Compact Servo Zoom
At this rate, we won’t have any products left to announce during NAB. CW Sonderoptic, Leica’s sister company that manufactures their cine lenses, has announced the addition of two new prime lenses that really round out and fill the gaps in the Summicron-C line of lenses. Taking up the wide end we’ll see a nice, fast, 15mm. And then, to prove that they’re really listening to their customers, the coveted 40mm is added right in the middle of the range. A favorite focal length of many cinematographers that gives just a tad more reach than a 35mm, but doesn’t quite punch in to the tight field you would get with a 50mm. Beautiful! Continue reading Leica’s Summicron-C Line Grows with 15mm and 40mm
It’s that time again. Start your Monday with a bit of light reading featuring some news, tips, social media, and buying advice from TheCineLens.com. On to the news! Continue reading Weekly News Roundup #3
Yet another must have accessory from Duclos Lenses. The 2X Tele-Extender can give your telephoto lenses even more reach. This all new design from Duclos Lenses features a couple of tricks not found in other extenders such as an adjustable back focus that eliminates the need for laborious shimming. The body is made from anodized aluminum and stainless steel for a most robust design. The glass is extremely high quality; sourced from Japan and aims to exceed even the industry’s most respected brands. Continue reading Duclos Lenses Announces Brand New 2x Extender