Tag: flare

Lenses, News, Tokina

Tokina Introduces Vista-C Primes

by Matthew DuclosLeave a Comment on Tokina Introduces Vista-C Primes
Tokina Introduces Vista-C Primes

Tokina has announced its latest addition to the Vista Prime lineup—the Vista-C. This new variant aims to deliver a more vintage-inspired aesthetic with controlled contrast, unique flare characteristics, and a slightly less uniform image while maintaining the high resolution and T1.5 speed that define the Vista series. But does this really introduce something entirely new, or is it simply a refined iteration of an already solid lens platform? Let’s take a closer look.

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Lenses, News, PL, Product Announcement, Zeiss

The Light Shines On New Zeiss Supreme Zoom Radiance

by Frank RamirezLeave a Comment on The Light Shines On New Zeiss Supreme Zoom Radiance
The Light Shines On New Zeiss Supreme Zoom Radiance

ZEISS is ending 2024 with a last minute surprise announcement. Introducing the Supreme Zoom Radiance trio. This new set includes: 15-30mm, 28-80mm, and 70-200mm all at T2.9. The new ZEISS Supreme Zoom Radiance lenses feature the same T* blue coating as the popular Supreme Prime Radiance, delivering consistent flares and a warm color rendition. They are interesting additions to the cinema family complimenting the already unique Supreme Radiance Primes. Let’s take a look at the new Supreme Zoom Radiance lenses and see if they have enough shine to get your attention.

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Canon EF, Laowa, Lenses, News, PL, Product Announcement

Laowa Proteus Flex Series: Next-Level Anamorphic Flexibility

by Matthew DuclosLeave a Comment on Laowa Proteus Flex Series: Next-Level Anamorphic Flexibility
Laowa Proteus Flex Series: Next-Level Anamorphic Flexibility

Laowa has unveiled their latest anamorphic offering, the Proteus Flex Series, which introduces a new level of flexibility with interchangeable flare modules. As I sat down to write about this new series, I took a trip through The Cine Lens Archive to see what I had written about the original Proteus lenses. To my surprise, I never published anything on that launch—so I’m making sure not to miss the opportunity this time. The Proteus Flex series offers a unique combination of modular design and high-end performance, and it’s certainly a step forward for cinematographers seeking versatile anamorphic tools.

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Arri, Canon, Cooke, Duclos, Leica, News, Review, Zeiss

The Ultimate Vintage Lens Test

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The Ultimate Vintage Lens Test

Over the course of two days, in a studio in Burbank, California, a band of self-proclaimed “lens geeks” set out to complete the ultimate vintage cinema lens test. The project first began as a collaboration between ShareGrid’s Brent Barbano, and Duclos Lenses’ own Matthew Duclos. Initially, Barbano and Duclos had been planning to complete a rather small-scale lens test with the industry’s most popular and widely used vintage lenses. However, upon approaching director and cinematographer Mark Lafleur to ask him to participate, they discovered that he too was getting ready to carry out his own vintage lens test. The two sides decided to join forces, and before long a whole team was assembled. With Lafleur and Barbano as Directors and Executive Producers, and Duclos as Lens Consultant, Kyle Stryker was brought on as Director of Photography. The team also came to include Camera Assistants Matthew Borek and Michelle Diaz, and Nick Ferriero as Editor. Continue reading “The Ultimate Vintage Lens Test” →

News

Duclos Lenses Introduces Rokinon•Raw Primes

by Matthew Duclos19 Comments on Duclos Lenses Introduces Rokinon•Raw Primes

RokinonRaw

Rokinon•Raw

Many productions call for the absolute best lenses possible and end up reaching for Zeiss Master Primes or Panavision Primos for a well corrected, clinical look. This is great if you want an absolutely clean slate to work with in post since it’s always easier to dial down sharpness and add a bit of grunge after the fact. But what if you want something with a little more character – a little bit of flare, in camera. Continue reading “Duclos Lenses Introduces Rokinon•Raw Primes” →