I’ve written about the Tokina 11-16mm many, many times. In fact, I was temporarily banned from REDUser years ago for backhandedly plugging the Duclos 11-16mm conversion – breaking the rules of the forum. I’ve since cleaned up my act (sort of). I speak often of the Duclos 11-16mm, and when I do, I always give credit to Tokina for making such a great product. I wanted to take a post here and acknowledge the original lens, it’s heritage, influence, and evolution over the past (nearly) decade. Continue reading Tokina’s Gateway to Cinema: The 11-16mm
This one has been a long time coming and I couldn’t be happier to be breaking this news to all that have waited so patiently. For the past couple of years I would receive an email or phone call about twice a month asking if we had plans to convert the Sigma 18-35mm and/or 50-100mm to a cine lens. I would consistently, politely decline citing high cost or some other hurdle that made such a project unattractive to my organization which was generally met with the oh so annoying “Well, this other company in China does it for real cheap”. Good for them… But alas, we can finally admit to the real reason why Duclos Lenses has avoided such a project. Sigma has taken it upon themselves to carry out what so many have asked for over the past couple of years; Manufacture a high quality, fast, lightweight range of zooms and primes direct from their factory in Aizu, Japan. Let’s take a look into the future of Sigma Cine. Continue reading Sigma Steps Into The Spotlight With New Cine Zooms and Primes
One of the most frequent questions we receive at Duclos Lenses from all over the world is in regards to the different versions of the Zeiss Super Speeds. Sticking to just the 35mm format (not 16mm format) version of Zeiss’ high speed primes, we’ll discuss some of the basic differences in an attempt to clarify some common misconceptions around the heritage of illustrious prime lenses. Continue reading What’s in a Name? A Guide to Zeiss Super Speeds
Back to the weekly grind. It’s Monday. Let’s get it started right with a bit of light reading. Continue reading Weekly News Roundup #6
Yet another must have accessory from Duclos Lenses. The 2X Tele-Extender can give your telephoto lenses even more reach. This all new design from Duclos Lenses features a couple of tricks not found in other extenders such as an adjustable back focus that eliminates the need for laborious shimming. The body is made from anodized aluminum and stainless steel for a most robust design. The glass is extremely high quality; sourced from Japan and aims to exceed even the industry’s most respected brands. Continue reading Duclos Lenses Announces Brand New 2x Extender
Not even six months ago, Rokinon announced a new line of cinema prime lenses deemed Xeen. This new prime lens set consisted of a 24mm, 50mm, and 85mm – intended to compete with the likes of Zeiss, Schneider, and Canon in terms of tech specs, features, and image quality. But there was no competition when it came to price. The Xeen primes halved the price of any of the aforementioned brands with little to no compromise elsewhere. Rokinon has filled in the obvious gaps with a 35mm T1.5 and a 14mm T3.1. Continue reading Rokinon Reveals Two New Xeen Primes
Duclos Lenses has released a new Macro Extension Tube for PL mount lenses. If you’ve never used an extension tube before, head on over to Cambridge in Colour and soak up some knowledge. Continue reading PL Macro Extension Tube from Duclos Lenses
Back in 2009 we began shipping our Tokina 11-16mm cine conversion. We honestly had no idea it would be so successful. About a week after we initially started shipping our 11-16mm lens, customers began asking what our next project was. You see… We don’t just convert any lens. We look for something different – something unique. At the time we released our 11-16mm lens, there really wasn’t anything else in the same category. There were a few high-end options that were 6x – 8x the price of our lens or some vintage lenses that simply didn’t perform very well when compared to the 11-16mm. These days you can find the 11-16mm with cinema features from any number of companies including lens shops in Germany, China, and even from Tokina themselves. I can confidently say that our cinema conversion is still the best option out there by a large margin. So – the next project… Continue reading Leica 70-180mm Cinema Conversion from Duclos Lenses
Canon announced their CN-E Primes back in 2011 with only a 24, 50, and 85mm. They quickly added the 14, 35, and 135mm to the line-up providing cinematographers an set of six lenses from 14 through 135mm. The lenses are plenty sharp and built rather well. Duclos Lenses saw the potential of these primes and took action. In this post, we’re going to dive into what makes the Canon CN-E Primes such great lenses and why Duclos Lenses chose these particular lenses for modification to PL mount. Continue reading Canon CN-E Primes – An In-Depth Look
We’ve had a good deal of success with our 11-16mm conversion. So much that there have been at least half a dozen copy-cats, including Tokina themselves. Let me be clear about this – I’m well aware that Tokina was the first and only organization to make the glass itself and there wouldn’t be any conversion without them – to which I’m very grateful and respectful. What you see here is in fact a 24 Karat Gold Duclos 11-16mm. You’re probably shaking your head thinking, why… why would you do that? Well… Continue reading Duclos Lenses Forges One-of-a-Kind 11-16mm
Everyone should be familiar with the price of equipment sporting a small red dot. In this particular case, the red dot is pretty large. A venerable cream of the telephoto crop, this set consists of a Leica APO-Summicron-R 180mm f/2.0, a Leica APO Telyt-R 280mm f/2.8 and finally a massive Leica APO-Telyt-R 400mm f/2.8. The set is currently owned by Samy’s Camera – but not for long as it’s being sold for $100,000.00. This is no ordinary set of rare Leica telephoto primes. Custom modified with PL mounts and integrated focus and iris gears by Duclos Lenses, this is a one-of-a-kind set making the rare even rarer.
About two years ago I was paid a visit by some fellow named Samy who claimed he was from Samy’s Camera. It took me a few seconds to realize he wasn’t just some guy from Samy’s… He was Samy’s. Samy proceeded to explain what he wanted done to these lenses, at which point I gave some examples of what something like this costs and the down-time associated with custom modifications. You see, performing this type of work isn’t something that we here at Duclos Lenses do for just any lens. There are several prerequisites for this type of work that we stick to pretty closely which usually discourage customers from advancing with bespoke engineering. The most important condition is quality. We don’t design or engineer anything that we aren’t confident putting our name on, abel to admire once completed and say “damn… that’s marvelous”. The second most important factor is the cost. I understand that there are some individuals out there that simply don’t care about the cost, and want, need, must have something despite the fee. This entire process requires a balance of these two primary factors (quality/cost) which I felt Samy understood and shared in our enthusiasm. As a result of our unrelenting crusade for precision and quality, custom conversions go through many stages within Duclos Lenses beginning with conception and going on to design, engineering, prototyping, manufacturing, and finishing.
Over the next few months we penned, plotted, rendered, caffeinated, and repeated many times over. The final result was a set of three Leica telephoto primes with stainless steel PL mounts, integrated focus and iris gears, and industry standard supports, ready to deliver to Samy. As far as I know, at the time, Samy had no plans to offer these lenses to anyone because of their rarity but I’m glad to see that they are for sale and possibly going on to shoot stunning images. I hope that whoever ends up purchasing these lenses lets me know so that I can keep an eye on them over time. It’s this desire to follow bespoke projects throughout their life, that I feel makes the work that I’m involved with special. If you’re interested in purchasing this set, check with your accountant/wife and then head on over to the eBay listing.
Duclos Lenses has developed a conversion process for the Canon Cinema Eos CN-E Primes that provides a high quality, stainless steel PL mount that allows the primes including the 14mm, 24mm, 35mm, 50mm, 85mm, and 135mm to be used with any PL mount camera. Continue reading Canon CN-E PL Primes From Duclos Lenses
Shane Hurlbut recently took a set of the Canon Cinema Compact Zoom lenses, 15.5-47mm and 30-105mm, complete with Multi-Mount and Zoom Motor Bracket as well as the two flagship lenses, the 14.5-60mm and 30-300mm with our Carry Handle and Motor Bracket kits out for a spin on his newest project that you may have heard of – Need for Speed.
I love what Duclos has made. They are ergonomically made to flow with the lens and they also incorporate a Haden M26T motor bracket to engage the zoom focal lengths. They are built like a brick house,
Check out his full article on his blog here – Adapting Your Canon Arsenal with Duclos: A Way for Filmakers to Increase Speed and Convenience on Set.
Canon introduced their pair of lightweight zooms, 15.5-47mm and 30-105mm, about a year ago and they’ve had a bit of a rough start. They were introduced into an already saturated market where every other manufacturer had been making zoom lenses for decades. Canon is no newb when it comes to high-end cinema zooms. They had their line of S16 format zooms a few years back (remember 16mm film?) that were adapted from their long running and still successful video lens division. Everyone knows that Canon makes great lenses. Their L series is a perfect indication of high quality, professional glass. But in the recent past, there wasn’t really any professional cinema lens offerings from Canon. The new lightweight zooms were an excellent comeback! They had all the features I look for in a zoom lens. They are designed with simple, robust components throughout the lens. Plenty of focus marks on clean, simple barrels. Consistent T-stop of T2.8 throughout the zoom range. And just about every other feature of a professional cinema zoom lens. Continue reading Canon Lightweight Zoom Universal Mount From Duclos Lenses