This one has been a long time coming and I couldn’t be happier to be breaking this news to all that have waited so patiently. For the past couple of years I would receive an email or phone call about twice a month asking if we had plans to convert the Sigma 18-35mm and/or 50-100mm to a cine lens. I would consistently, politely decline citing high cost or some other hurdle that made such a project unattractive to my organization which was generally met with the oh so annoying “Well, this other company in China does it for real cheap”. Good for them… But alas, we can finally admit to the real reason why Duclos Lenses has avoided such a project. Sigma has taken it upon themselves to carry out what so many have asked for over the past couple of years; Manufacture a high quality, fast, lightweight range of zooms and primes direct from their factory in Aizu, Japan. Let’s take a look into the future of Sigma Cine. Continue reading Sigma Steps Into The Spotlight With New Cine Zooms and Primes
SLR Magic is a Hong Kong based lens manufacturer who has enjoyed the limelight with some unique lenses at substantially low prices when compared to the competition. Their lineup includes oddities with titles such as Toy Lens, Hyperprime, Noktor, etc.. Recently, the Chinese manufacturer has made their way into the cinema lens market with fully manual, “cine” lenses. Continue reading SLR Magic’s 50mm “CINE” prime
Zeiss has had a busy few weeks with the announcement of the new autofocus Batis primes as well as the Milvus line of lenses that replace the outgoing “Classic” ZF.2 and ZE primes with a more modern, ergonomic housing including two brand new optical designs in the Milvus 50mm f/1.4 and Milvus 85mm f/1.4. Then, only a few weeks later Zeiss announced their 21mm f/2.8 Loxia lens designed specifically for Sony FE mount cameras. A wide-angle Otus lens had been rumored for almost a year and we’re finally able to talk about the newest member of the venerable Otus line of primes. Continue reading Zeiss 28mm Otus Officially Announced
Rokinon posted a not-so-subtle hint at their upcoming Xeen product line to their Facebook page earlier today. The photo shows a Xeen branded pirate ship blasting a Zeiss CP.2 and Canon CN-E out of the water. Not much mincing of words there. Continue reading Rokinon Takes Aim with New Xeen Cinema Prime Lenses
Leica, CW Sonderoptic have approved Duclos Lenses for complete factory authorized service of the Summilux-C and Summicron-C cinema prime lenses. To celebrate the cooperative milestone, Duclos Lenses will be offering a free diagnostic check for any Leica cinema lens through the month of July. Bring your lenses in today for a free check up. For additional information, call or email – (818) 773-0600, firstname.lastname@example.org Continue reading Duclos Lenses Adds Leica, CW Sonderoptic To Authorized Service Schedule
Whaaat? I’ve been working with Zeiss for many, many years and I’ve never seen them do such a great deal. They’re offering up to $300 off per lens! On top of that, Duclos is cutting $100 off each Cine-Mod – another unheard of offer. If you ever considered snagging a set of ZF.2 or ZE primes or have some but want to fill out a set, now is the time. Take a look at the price reductions here. Read more from Duclos Lenses: Continue reading Happy Birthday, Zeiss!
Rokinon (Samyang, whatever brand you prefer) has been quick to jump into the world of motion picture lenses, using the optics and core mechanical design of their popular all-manual still photography lenses. The Rokinon lenses aren’t what most would consider professional, mostly because of their plastic housings, but the price, availability, and quality more than make up for their cheap feel. I’ve seen some very, very nice cinematic work shot with the Rokinon cine primes regardless of their “status” compared to the likes of higher-end cinema lenses. Currently, Rokinon offers an 8mm, 14mm, 16mm, 24mm, 35mm, and an 85mm. This would be a pretty decent set of cinema primes if it only had the 50mm.
Rumors have been floating around for over a year that a 50mm would be available and it loos like the wait is finally over. Rokinon recently posted a photo to their Facebook page indicating the imminent announcement of a new focal length in their cine prime line-up. Additionally, a lot of the rumors floating around are claiming that the lens will feature a fast aperture of f/1.2. While I don’t know if this is true or not, a 50mm focal length in the Rokinon cine primes series will be a welcome addition at f/1.4 or faster.
Keep an eye on the blog for an update once officially announced. You can bet Duclos Lenses will offer a Pro Set with all the great focal lengths including a new 50mm, at a substantial discount!
Well there you have it. Rokinon officially announced the new 50mm with specs and a September ship date. The lens will offer a respectable aperture of T1.5 just like the rest of the fast primes. I know a lot of folks were hoping for a faster aperture but I think that matching the rest of the set is plenty fair. Naturally it will cover 35mm Full Frame and feature all the other accouterments as the rest of the Cine Prime line. The other great bit of news is the price: at $549, this is by far the most affordable 50mm Cine Prime currently available. Head on over to Duclos Lenses to pre-order the new 50mm Rokinon today!
I know… There’s been a few wallpaper posts lately. It’s because we’re gearing up for NAB which is right around the corner. If you’re not familiar with NAB – you should be. It’s an annual convention that takes place in Las Vegas where manufacturers and vendors come together from all over the world. There’s tons of antenna companies and manufacturers who make blink light panels that I have no idea how to use but have to walk by to get the the lenses…
All you really need to know is that NAB is basically Christmas morning for lens geeks like us. Stay tuned for some very exciting lens news straight from the show floor and giveaways from Duclos Lenses. In the meantime, enjoy this 4K photo of a Leica Summicron-C 25mm – she’s a beaut.
The Summicron-C prime lenses from Leica were introduced at NAB 2013. With 2014 right around the corner, Leica is gearing up to deliver their new Summicron-C primes very soon. But how has Leica gone about producing these new lenses in a way that benefits the Leica brand as well as the cinematographer considering them as a prime lens option? There are plenty of questions that this new set of prime lens demands answers to. We’ll take a look at their performance specs, and image characteristics here. Continue reading Leica’s Summicron-C Primes Are Coming!
Samyang originally displayed a prototype 10mm prime lens at Photokina 2012 with a few details. They recently announced the official development of their new 10mm f/2.8 prime lens. If you’re not familiar with the Samyang line of lenses, they’re a very confusing bunch which shares it’s designs with different branding such as Rokinon, Bower, Vivitar, etc. Rokinon offers their photo lenses in a cinema variety that feature 32-pitch focus and iris gears as well as a smooth, click-less aperture and T-stop markings instead of f-stop. Needless to say, this new 10mm will make it’s way into a Rokinon Cine Prime flavor soon enough. There are quite a few interesting details about this lens. Continue reading Samyang Officially Announces 10mm f/2.8 Lens
Shane Hurlbut recently took a set of the Canon Cinema Compact Zoom lenses, 15.5-47mm and 30-105mm, complete with Multi-Mount and Zoom Motor Bracket as well as the two flagship lenses, the 14.5-60mm and 30-300mm with our Carry Handle and Motor Bracket kits out for a spin on his newest project that you may have heard of – Need for Speed.
I love what Duclos has made. They are ergonomically made to flow with the lens and they also incorporate a Haden M26T motor bracket to engage the zoom focal lengths. They are built like a brick house,
Check out his full article on his blog here – Adapting Your Canon Arsenal with Duclos: A Way for Filmakers to Increase Speed and Convenience on Set.
Zeiss has officially released all of the details around their elite new line of lenses which they are calling Otus. Otus? That’s almost as weird as Touit. But with the kind of specs and image quality Zeiss has been touting with this new line of lenses, I don’t care what they call it. The 55mm f/1.4 is the first prime lens to be released this coming November and if Zeiss can stick to the extremely high manufacturing tolerances and quality required for such a lens, I think everyone will want one of these in their kit.
It’s going to be available in the ZF.2 (Nikon F) and ZE (Canon EF) mount just like the former ZF.2/ZE lenses. Again, the ZE version will not have a manual aperture ring but the ZF.2 version will. Duclos Lenses will be offering the full Cine-Mod and possibly the same great Leitax Canon EF mount for the ZF.2 version so that you can have the beautiful de-clicked aperture ring on your Canon EF mount camera. It makes perfect sense that Zeiss started with the 55mm focal length as it’s considered the “normal” field of view for 35mm full frame cameras (and if we’re being honest, the 50mm f/1.4 ZF.2/ZE is the weakest link in the older model line-up and deserves the refresh the most).
If you haven’t heard about why the new Otus line of lenses is so desirable, you should check out the post here. Zeiss is really talking up the superb image quality of these new lenses which are setting my expectations very high with quotes like:
…the new ZEISS Otus 1.4/55 offers ambitious photographers who do not accept any compromises in image quality…
Our goal was to bring the best standard lens for SLR cameras onto the market. The Otus 1.4/55 delivers outstanding sharpness and contrast rendition all the way into the corners of the image.
If you’re already aware of this amazing lens, Duclos Lenses is accepting Pre-Orders which should be available November 2013. As soon as these beauties begin rolling in, I assure you I’ll be taking one out for some stress testing. Exciting.
Tired of guessing which lenses will and won’t cover a specific sensor? Stress no more, I’ve revised the Image Circle Database that so many of you have been asking for. It’s an ongoing project that I update periodically as lenses come through the shop (there’s a lot of them). With the rate that manufacturers are designing and releasing new lenses, this database will be updated as a downloadable PDF often. If there is a specific lens you would like researched for image circle, please list it below in the comments. The Database is going to stick to primarily cinema lenses or at least those used for cinema often. Check out the details below. Continue reading The Image Circle Database Is Back!
Zeiss has spent the last three years working on a new line of high-end SLR lenses that many shooters are getting very excited about. The first lens to be released will be the 55mm f/1.4 – a perfect place to start considering the lacking results of the current 50mm f/1.4 ZF.2/ZE. They aren’t meant to replace the current line of ZF.2/ZE primes, but to offer an even higher level of quality. Zeiss claims that this new line of lenses will be unrivaled.
In this phase, all the details have to be right,” explains Casenave. “The variations in optical quality should be almost zero: every customer has to get exactly the same quality level. Also, in the product design there are a number of minor details that should be optimized. They are truly minor, but they make the difference to a standard product. Here again there should be nearly no variation from production.
In terms of still photo lenses, that’s a pretty believable claim. But stacking these new high-end primes up against the likes of motion picture optics such as Leica Summilux-C and Zeiss Master Primes will be a true test once they are available. Duclos Lenses will be very anxious to apply the Cine-Mod™ process to these new beauties as soon as they are available. Be sure to check back often for delivery and pricing updates. Read the entire blog post from Zeiss here.