The new XEEN CF primes feature a brand new compact, lightweight body and the same glass XEEN owners have come to appreciate. Rokinon is a perfect example of how a lens can evolve over time. Their new CF line is the culmination of customer feedback over the course of nearly a decade. Throughout this post, we’ll take a quick look back at the evolution of the Rokinon line and preview their upcoming CF line of cinema primes.Continue reading “Rokinon Refreshes With New XEEN CF”
Rokinon adds 16mm T2.6 to Xeen Line
Last week Rokinon announced that the latest addition to their XEEN by Rokinon line, the 16mm T2.6 lens, is available immediately from authorized dealers. This is the first XEEN lens to be released since the 135mm lens began shipping last July, and is the first (but most likely not the last) XEEN of 2017. Continue reading “Rokinon adds 16mm T2.6 to Xeen Line”
Weekly News Roundup #6
Back to the weekly grind. It’s Monday. Let’s get it started right with a bit of light reading. Continue reading “Weekly News Roundup #6”
Rokinon, Cine, Cine DS, and Xeen – What’s The Difference?
As with many lens manufacturers, Rokinon tapped into a market they may or may not have anticipated and as a result, their product line evolved along with user demand. The same thing happened with Zeiss when they realized that we were modifying their ZF line of lenses for cinema use. Back at headquarters in Germany, a quick visit to the engineering department and, BAM! Compact Primes. So what’s the difference between the Rokinon Cine, Cine DS, and Xeen primes? Is one better than the other? Why the big price difference? Should I sell my Cine lenses and get the DS lenses? Let’s take a more in-depth look at the line and try to answer these questions. Continue reading “Rokinon, Cine, Cine DS, and Xeen – What’s The Difference?”
Rokinon Takes Aim with New Xeen Cinema Prime Lenses
Rokinon posted a not-so-subtle hint at their upcoming Xeen product line to their Facebook page earlier today. The photo shows a Xeen branded pirate ship blasting a Zeiss CP.2 and Canon CN-E out of the water. Not much mincing of words there. Continue reading “Rokinon Takes Aim with New Xeen Cinema Prime Lenses”
Are Rokinon Primes Right For You?
Rokinon just released their new Cine-DS line of cinema prime lenses with color matched optics and uniform focus and iris gears – but what’s the difference between these new lenses and the older lenses in the lineup and which ones will work well for you? Wether you’re just getting into cinematography or you’re tired of wrestling with your L Series or or crummy kit lens, there’s a better solution available. In this post we’ll take a look at the new DS line of lenses from Rokinon and how they’ll work with a range of different cameras. Continue reading “Are Rokinon Primes Right For You?”
Rokinon Finally Adding a Much Needed 50mm (UPDATED)
Rokinon (Samyang, whatever brand you prefer) has been quick to jump into the world of motion picture lenses, using the optics and core mechanical design of their popular all-manual still photography lenses. The Rokinon lenses aren’t what most would consider professional, mostly because of their plastic housings, but the price, availability, and quality more than make up for their cheap feel. I’ve seen some very, very nice cinematic work shot with the Rokinon cine primes regardless of their “status” compared to the likes of higher-end cinema lenses. Currently, Rokinon offers an 8mm, 14mm, 16mm, 24mm, 35mm, and an 85mm. This would be a pretty decent set of cinema primes if it only had the 50mm.
Rumors have been floating around for over a year that a 50mm would be available and it loos like the wait is finally over. Rokinon recently posted a photo to their Facebook page indicating the imminent announcement of a new focal length in their cine prime line-up. Additionally, a lot of the rumors floating around are claiming that the lens will feature a fast aperture of f/1.2. While I don’t know if this is true or not, a 50mm focal length in the Rokinon cine primes series will be a welcome addition at f/1.4 or faster.
Keep an eye on the blog for an update once officially announced. You can bet Duclos Lenses will offer a Pro Set with all the great focal lengths including a new 50mm, at a substantial discount!
Well there you have it. Rokinon officially announced the new 50mm with specs and a September ship date. The lens will offer a respectable aperture of T1.5 just like the rest of the fast primes. I know a lot of folks were hoping for a faster aperture but I think that matching the rest of the set is plenty fair. Naturally it will cover 35mm Full Frame and feature all the other accouterments as the rest of the Cine Prime line. The other great bit of news is the price: at $549, this is by far the most affordable 50mm Cine Prime currently available. Head on over to Duclos Lenses to pre-order the new 50mm Rokinon today!
Samyang Officially Announces 10mm f/2.8 Lens
Samyang originally displayed a prototype 10mm prime lens at Photokina 2012 with a few details. They recently announced the official development of their new 10mm f/2.8 prime lens. If you’re not familiar with the Samyang line of lenses, they’re a very confusing bunch which shares it’s designs with different branding such as Rokinon, Bower, Vivitar, etc. Rokinon offers their photo lenses in a cinema variety that feature 32-pitch focus and iris gears as well as a smooth, click-less aperture and T-stop markings instead of f-stop. Needless to say, this new 10mm will make it’s way into a Rokinon Cine Prime flavor soon enough. There are quite a few interesting details about this lens. Continue reading “Samyang Officially Announces 10mm f/2.8 Lens”
Rokinon’s Intro to Cinema Lenses
Everyone is talking about the Rokinon line of lenses. Also known as Bower or Samyang depending on what country you reside in. They’re all the same lenses just different badges. Rokinon lenses are an excellent alternative to pricey cinema lenses mostly due to their cheaper, featureless construction. These lenses don’t come with any zippy auto focus motors nor do they offer camera controlled aperture functions. They still (as in non-motion) photography lenses with completely manual controls. Maybe a pain for those used to automatic lenses from Nikon or Canon, but great for those looking for an entry level cinema option. The lenses are commonly available in Nikon F or Canon EF mount. Continue reading “Rokinon’s Intro to Cinema Lenses”