Sigma Announces New ART Series Lenses

No… These aren’t cinema lenses. They’re auto-focus, still photography lenses. Sigma has just announced three new lenses in their ART line of still-photo lenses: 14mm f/1.8, 135mm f/1.8, and a 24-70mm f/2.8. So why am I posting about them? Because with Sigma’s new Cinema line of lenses, zooms and primes, I can imagine that these now options from Sigma will make their way into a cinema housing in the near future. Let’s discuss… Continue reading Sigma Announces New ART Series Lenses

Tokina’s Gateway to Cinema: The 11-16mm

I’ve written about the Tokina 11-16mm many, many times. In fact, I was temporarily banned from REDUser years ago for backhandedly plugging the Duclos 11-16mm conversion – breaking the rules of the forum. I’ve since cleaned up my act (sort of). I speak often of the Duclos 11-16mm, and when I do, I always give credit to Tokina for making such a great product. I wanted to take a post here and acknowledge the original lens, it’s heritage, influence, and evolution over the past (nearly) decade.  Continue reading Tokina’s Gateway to Cinema: The 11-16mm

Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Tokina entered the cinema lens market several years ago with a few zooms and a macro prime which were all ported over from their still photography line of lenses. Originally, their 11-16mm T3 (a lens that we lovingly began the trend with) lacked a PL mount option which it finally gained just recently, while the other lenses featured the PL mount as a factory option. The 11-16mm was accompanied by two additional zoom lenses – a 16-28mm T3 and a 50-135mm T3 and a lonely 100mm Macro prime lens. Last week, Tokina announced that it will begin manufacturing three brand new prime lenses – a 35mm, 50mm, and 85mm, all T1.5, and refreshing the 16-28mm with a version II. Continue reading Tokina Cinema Introduces New Primes, Refreshed Zoom, and More!

Cooke Brings Back The Panchro Primes

Vintage lenses have been a major trend in the motion picture industry and Cooke is in a prime position to take advantage of their unrivaled heritage. They’ve just announced they’ll be reviving the classic Cooke Speed Panchro line of prime lenses that were first made in the 20’s and ran all the way through the 60’s. Let’s take a look at what information is currently available from Cooke. Continue reading Cooke Brings Back The Panchro Primes

Leica’s Summicron-C Line Grows with 15mm and 40mm

At this rate, we won’t have any products left to announce during NAB. CW Sonderoptic, Leica’s sister company that manufactures their cine lenses, has announced the addition of two new prime lenses that really round out and fill the gaps in the Summicron-C line of lenses. Taking up the wide end we’ll see a nice, fast, 15mm. And then, to prove that they’re really listening to their customers, the coveted 40mm is added right in the middle of the range. A favorite focal length of many cinematographers that gives just a tad more reach than a 35mm, but doesn’t quite punch in to the tight field you would get with a 50mm. Beautiful!  Continue reading Leica’s Summicron-C Line Grows with 15mm and 40mm

Rokinon Reveals Two New Xeen Primes

Not even six months ago, Rokinon announced a new line of cinema prime lenses deemed Xeen. This new prime lens set consisted of a 24mm, 50mm, and 85mm – intended to compete with the likes of Zeiss, Schneider, and Canon in terms of tech specs, features, and image quality. But there was no competition when it came to price. The Xeen primes halved the price of any of the aforementioned brands with little to no compromise elsewhere. Rokinon has filled in the obvious gaps with a 35mm T1.5 and a 14mm T3.1. Continue reading Rokinon Reveals Two New Xeen Primes

Rokinon Announces Two New Mirrorless Primes

rokmirrorlessRokinon has been stirring up the lens market for a couple of years offering very affordable options for photographers and cinematographers alike. They just began shipping their lovely Xeen Cinema Primes recently and already have a new product line to announce, designed specifically for mirrorless systems. A 21mm f/1.4 and a 50mm f/1.2.  Continue reading Rokinon Announces Two New Mirrorless Primes

Veydra Debuts New Mount Options For Mini Primes

25mm ImperialVeydra has done very well with their Micro 4/3 mount Mini Primes designed for cameras like the Panasonic GH4 or the Blackmagic Pocket Camera. Until now, the Mini Primes were available only in Micro 4/3 mount. But today they released a short video showcasing the new mount options and the wide range of cameras that these primes will work with. Continue reading Veydra Debuts New Mount Options For Mini Primes

With Success of Mini Primes, Veydra Lays Out Plans

Veydra-4-lensThe Veydra Mini Primes were widely debated when they launched their Kickstarter campaign. Cautiously optimistic cinematographers who had been waiting for a pro-level Micro 4/3 cinema lens contributed, and exceeded the modest Kickstarter goal of $50,000 with a whopping $272,000 final pledge. After the first batches of the Mini Primes began arriving at the door steps of generous early adopters, those that didn’t contribute to the Kickstarter were… well, kicking themselves. The Veydra Mini Primes have continued to be the most professional, cinematic choice for Micro 4/3 motion picture projects. So now what…? Clearly Veydra is no one-trick-pony as they’ve just announced several new projects ahead of NAB 2015: Continue reading With Success of Mini Primes, Veydra Lays Out Plans

Canon CN-E Primes – An In-Depth Look

cneclustrCanon announced their CN-E Primes back in 2011 with only a 24, 50, and 85mm. They quickly added the 14, 35, and 135mm to the line-up providing cinematographers an set of six lenses from 14 through 135mm. The lenses are plenty sharp and built rather well. Duclos Lenses saw the potential of these primes and took action. In this post, we’re going to dive into what makes the Canon CN-E Primes such great lenses and why Duclos Lenses chose these particular lenses for modification to PL mount.  Continue reading Canon CN-E Primes – An In-Depth Look

Veydra, First To Offer M4/3 Cinema Primes

OLYMPUS DIGITAL CAMERAUntil now, shooting cinema on a Micro 4/3 camera meant you were using still photo lenses or lenses that were adapted or modified for motion picture use. The new Veydra Mini Primes are the first lenses to be built from the ground up as motion picture cinema lenses specifically for the Micro 4/3 platform. Considering the super shallow flange depth and tiny sensor size of Micro 4/3, the options for adapting lenses is almost limitless. But what if you’re using a Blackmagic or Panasonic GH4 in a professional environment and don’t have time to fiddle with adapters or down-time for vintage lens repair? The Veydra Mini Primes seem to be filling a gap that no one else has with a purpose built Micro 4/3 cinema lens. Continue reading Veydra, First To Offer M4/3 Cinema Primes

Are Rokinon Primes Right For You?

lineupRokinon just released their new Cine-DS line of cinema prime lenses with color matched optics and uniform focus and iris gears – but what’s the difference between these new lenses and the older lenses in the lineup and which ones will work well for you? Wether you’re just getting into cinematography or you’re tired of wrestling with your L Series or or crummy kit lens, there’s a better solution available. In this post we’ll take a look at the new DS line of lenses from Rokinon and how they’ll work with a range of different cameras. Continue reading Are Rokinon Primes Right For You?

Canon CN-E PL Primes From Duclos Lenses

CN-E-PL

Duclos Lenses has developed a conversion process for the Canon Cinema Eos CN-E Primes that provides a high quality, stainless steel PL mount that allows the primes including the 14mm, 24mm, 35mm, 50mm, 85mm, and 135mm to be used with any PL mount camera. Continue reading Canon CN-E PL Primes From Duclos Lenses

Stolen Equipment Alert!

Leica-2I always do my best to spread the word in regards to stolen equipment since it’s usually a potential buyer that tips off the rightful owner or the authorities of suspicious gear. As many of you know, Duclos Lenses was a victim of theft a few years back which set us back in early development of our 11-16mm lens. As a result, I take thefts such as this very personal. This time it involves a complete set of Leica Summilux-C Primes owned by a great rental house and customer of ours, CPT Rentals out of New York. The lenses were being used in the Angelino Heights area of LA at the time they went missing. CPT is distributing flyers that share a few other details that are important to spread including the name of the detective investigating the crime: Craig Marquez of the LAPD (case # 13022294) who can be reached at (213) 484-3479. The serial numbers of the lenses are as follows. Continue reading Stolen Equipment Alert!