The increasing popularity of Fujifilm’s cameras for quick, nimble motion picture work has begun another trend in the mirrorless realm – using legacy legacy lenses for cinematic work. Similar to the popularity of the Sony E-mount ecosystem, the X-mount features a similar shallow flange depth that makes adapting older SLR lenses a breeze with a plethora of cheap, accessible adapters. But what if you wanted an affordable, purpose built cinema lens for the X-mount system without using cheap, flimsy adapters? Continue reading “Fuji X-Mount for Veydra Mini Primes Coming Soon”
Until now, shooting cinema on a Micro 4/3 camera meant you were using still photo lenses or lenses that were adapted or modified for motion picture use. The new Veydra Mini Primes are the first lenses to be built from the ground up as motion picture cinema lenses specifically for the Micro 4/3 platform. Considering the super shallow flange depth and tiny sensor size of Micro 4/3, the options for adapting lenses is almost limitless. But what if you’re using a Blackmagic or Panasonic GH4 in a professional environment and don’t have time to fiddle with adapters or down-time for vintage lens repair? The Veydra Mini Primes seem to be filling a gap that no one else has with a purpose built Micro 4/3 cinema lens.