Tag: Zeiss

Lenses, LPL, News, Zeiss

Zeiss Introduces Horizon Anamorphic – Intelligent Anamorphics

by Matthew Duclos1 Comment on Zeiss Introduces Horizon Anamorphic – Intelligent Anamorphics
Zeiss Introduces Horizon Anamorphic – Intelligent Anamorphics

Zeiss has officially introduced the new Horizon Anamorphic lenses, a full-frame 2x anamorphic lens system that represents one of the company’s most ambitious cinema lens releases in years. While the anamorphic market has spent much of the past decade revisiting vintage imperfections and aggressively stylized optical character, Horizon appears focused on something different: intelligent integration, workflow efficiency, and adaptable imaging systems built for the realities of modern production.

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Lenses, LPL, News, Zeiss

ZEISS Introduces Panoptes 65 – Large Format Primes

by Matthew DuclosLeave a Comment on ZEISS Introduces Panoptes 65 – Large Format Primes
ZEISS Introduces Panoptes 65 – Large Format Primes

Zeiss has introduced Panoptes 65, a new family of cinema prime lenses designed specifically for 65mm format digital cinematography. The set launches with ten focal lengths ranging from 25mm to 180mm, all at T2.2, with a 59.9mm image circle intended to cover cameras such as the ARRI Alexa 265, Blackmagic Design URSA Cine 17K 65, and Fujifilm GFX ETERNA 55.

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Lenses, News, Zeiss

Zeiss Introduces Aatma Primes: Heritage Influence, Modern Intent

by Matthew Duclos1 Comment on Zeiss Introduces Aatma Primes: Heritage Influence, Modern Intent
Zeiss Introduces Aatma Primes: Heritage Influence, Modern Intent

Zeiss has announced the new Aatma Primes, a nine-lens full frame T1.5 cinema set that places the company squarely back into the conversation around vintage inspired optics. Covering focal lengths from 18mm through 135mm, Aatma is positioned as a more character forward option within Zeiss’ modern cinema lineup while retaining contemporary mechanics and workflow compatibility. In a market already dense with lenses aimed at nostalgia, Aatma presents an important consideration. Is this a meaningful refinement of Zeiss’ recent direction, or simply another option competing for attention?

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Canon, Canon RF, News, PL, Product Announcement

Canon CINE SERVO 11-55mm T2.95 – Built for Broadcast, Ready for Cinema

by Frank RamirezLeave a Comment on Canon CINE SERVO 11-55mm T2.95 – Built for Broadcast, Ready for Cinema
Canon CINE SERVO 11-55mm T2.95 – Built for Broadcast, Ready for Cinema

At Duclos Lenses, we have always had an eye for glass that goes beyond the look. There’s always more than meets the eyes when it comes to optics and we have an eye for spotting potential. Some might say we are optics experts. Canon’s newly announced CINE SERVO 11-55mm T2.95-3.95 PL and RF is reminiscent of a broadcast lens, but this servo is ready to rock cinema. With wide coverage, great resolving power, and suite of professional luxuries, this lens opens the door for creatives who need versatility with little compromise.

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Canon RF, Lenses, News, Sony E, Zeiss

ZEISS Otus ML: The Return of Legends, Now for the Mirrorless Generation

by Frank Ramirez1 Comment on ZEISS Otus ML: The Return of Legends, Now for the Mirrorless Generation
ZEISS Otus ML: The Return of Legends, Now for the Mirrorless Generation

After a five-year hiatus and a slew of rumors suggesting that ZEISS was bowing out of the still photography market, they’re back with a bang. Enter the Zeiss Otus ML line—a reimagining of the beloved Otus family that promises to shake up the mirrorless camera world. Today they are unveiling two focal lengths: 50mm f/1.4 and 85mm f/1.4.

The Otus ML lenses are intended to push optics in this new generation of mirrorless cameras. The original Otus primes to this day remain at the pinnacle of optics so the question is: Can the new iterations compare? Buckle up, this is going to be a long one.

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Lenses, News, Product Announcement, TLS

TLS Introduces Zeiss Contax Rehousing

by Matthew Duclos1 Comment on TLS Introduces Zeiss Contax Rehousing
TLS Introduces Zeiss Contax Rehousing

The Zeiss Contax lenses, first introduced in the 1970s, have earned a reputation as some of the most desirable vintage optics for modern filmmakers. Designed for still photography, their renowned T* coatings and sophisticated optical design have garnered a loyal following among those seeking a distinct, organic image quality. Often referred to as the “full-frame Super Speeds,” these lenses marry pleasing sharpness with a unique character that sets them apart from today’s clinical modern glass. Now, with a new rehousing by True Lens Services (TLS), these legendary lenses are ready to take their place in the world of professional cinema.

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Lenses, News, PL, Product Announcement, Zeiss

The Light Shines On New Zeiss Supreme Zoom Radiance

by Frank RamirezLeave a Comment on The Light Shines On New Zeiss Supreme Zoom Radiance
The Light Shines On New Zeiss Supreme Zoom Radiance

ZEISS is ending 2024 with a last minute surprise announcement. Introducing the Supreme Zoom Radiance trio. This new set includes: 15-30mm, 28-80mm, and 70-200mm all at T2.9. The new ZEISS Supreme Zoom Radiance lenses feature the same T* blue coating as the popular Supreme Prime Radiance, delivering consistent flares and a warm color rendition. They are interesting additions to the cinema family complimenting the already unique Supreme Radiance Primes. Let’s take a look at the new Supreme Zoom Radiance lenses and see if they have enough shine to get your attention.

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News

Zeiss Releases Software Updates for CinCraft

by Matthew DuclosLeave a Comment on Zeiss Releases Software Updates for CinCraft
Zeiss Releases Software Updates for CinCraft

Zeiss has just unveiled significant updates to its CinCraft suite, rolling out CinCraft Scenario 2.1 and CinCraft Export 2.0. For users immersed in the demands of virtual production and VFX-heavy workflows, these enhancements will appeal to professionals in the field of control in camera tracking, lens calibration, and post-production alignment. Let’s break down what each update brings, particularly focusing on Scenario 2.1’s new manual spherical lens calibration.

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Lenses, News

Lens Guide: Compact Full Frame Cine Primes

by Frank RamirezLeave a Comment on Lens Guide: Compact Full Frame Cine Primes
Lens Guide: Compact Full Frame Cine Primes

What an exciting past couple of years we’ve had right? I mean regarding lenses. You got that? Okay good.

Yes, even in the past year alone we have had some incredible new products come out that have showcased the evolution of the cinema lens technology. Compact full frame cinema lenses have gained popularity for their portability, optical quality, and ability to deliver stunning visuals without compromising on performance. Never before have quality optics and this much variation between them been accessible to filmmakers. We pulled a few options in this category from our inventory to take a look at what they have to offer you.

To preface, this list only contains a few of the many Full-Frame/Vista Vision lenses on the market. Including s35 and even anamorphic lenses for sale would be exhausting and we don’t have enough coffee around today. We’ll save them for future blogs though. Stay tuned for that.

Now, let’s dive in.

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Lenses, News, Product Announcement, Zeiss

Zeiss Announces Nano Primes – Fast, Compact, Cine Primes for Mirrorless Cameras

by Matthew DuclosLeave a Comment on Zeiss Announces Nano Primes – Fast, Compact, Cine Primes for Mirrorless Cameras
Zeiss Announces Nano Primes – Fast, Compact, Cine Primes for Mirrorless Cameras

It’s been quite a while since Zeiss released a new cine lens. In fact, the Supreme Primes were the latest addition to the Zeiss cine family. A few focal lengths have been added such as the Supreme 15mm and if we want to really stretch Zeiss portfolio additions, we can also include the Supreme Radiance – Zeiss’ answer to the vintage lens craze. Aside from those, there really hasn’t been a whole lot of buzz out of the German lens manufacturer. That’s about to change!

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Lenses, News, Product Announcement, Zeiss

Zeiss Nearly Completes the Supreme Line with 18, 40, and 200mm

by Matthew DuclosLeave a Comment on Zeiss Nearly Completes the Supreme Line with 18, 40, and 200mm
Zeiss Nearly Completes the Supreme Line with 18, 40, and 200mm

Zeiss has been working hard to bring three promised focal lengths to life, ahead of schedule. The much desired focal lengths are an 18mm T1.5, a 40mm T1.5, and a 200mm T2.2. The addition of these three lenses really fills out the Supreme Prime line very well.

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News

Zeiss Continues to Shine with New Supreme Prime Radiance

by Matthew Duclos1 Comment on Zeiss Continues to Shine with New Supreme Prime Radiance

On Thursday November 7th, Zeiss announced their newest line of lenses: the Zeiss Supreme Prime Radiance. They feature an all new T* blue coating that allows cinematographers to create beautiful, consistent and controlled flares while maintaining high image quality for which Zeiss is known. Other attributes include large-format coverage, high speed, robustness and smooth reliable focus – all in a small, light-weight package.

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News, Tutorial, Zeiss

Duclos Lens Lab: Zeiss CP.3 eXtended Data Workflow Recap

by Matthew DuclosLeave a Comment on Duclos Lens Lab: Zeiss CP.3 eXtended Data Workflow Recap
Duclos Lens Lab: Zeiss CP.3 eXtended Data Workflow Recap

Duclos Lenses hosted another Duclos Lens Lab at RED Studios Hollywood several weeks ago. This time we focused on Zeiss’ new CP.3 line and the workflow associated with the eXtended Data features, exclusive to the CP.3 XD primes. Continue reading “Duclos Lens Lab: Zeiss CP.3 eXtended Data Workflow Recap” →