Sigma Launches AF Cine 28-45mm T2 FF Zoom

Sigma Launches AF Cine 28-45mm T2 FF Zoom

Sigma has officially pulled the curtain back on the 28-45mm T2 FF, the first release in its brand-new AF Cine Line. Launching November 6, 2025, this lens is more than just another short zoom; it’s Sigma’s declaration that autofocus has a place in professional cinema production. Available in L-Mount and Sony E, the 28-45mm arrives with cine-style mechanics, the optical pedigree of Sigma’s Art series, and a high-response linear actuator for fast, near-silent autofocus. For Sigma, this is both a technical showcase and a philosophical challenge to decades of manual-only cinema tradition.

Continue reading “Sigma Launches AF Cine 28-45mm T2 FF Zoom”

Mind-Bending Perspective: Laowa’s New 8-15mm T2.9 Zoom Fisheye

Mind-Bending Perspective: Laowa’s New 8-15mm T2.9 Zoom Fisheye

When you hear the name Laowa, what’s the first thing that comes to mind? Normally, and I’ll say this with the utmost respect, weird lenses. Laowa always goes against the norms, choosing innovation over following trends. They consistently deliver tools that at first seem niche or strange, but quickly prove themselves as must-haves once you see the results. I’ve always appreciated that approach. It’s a bit like that middle-school idea that not trying to be popular ends up making you stand out anyway.

Now comes the Laowa 8-15mm T2.9 Fisheye Zoom, their latest ultra-wide cine lens, and a potential game-changer for AR and VR creators. This lens fills a noticeable gap left by a certain lens with a red ring, which was widely used in immersive production workflows. The question is whether this new Laowa offering is simply trying to replicate what came before, or if it’s pushing things forward on its own terms.

Continue reading “Mind-Bending Perspective: Laowa’s New 8-15mm T2.9 Zoom Fisheye”

DZOFilm Launches Another Probe Zoom, With a Twist!

DZOFilm Launches Another Probe Zoom, With a Twist!

DZOFilm has expanded its X-tract lineup with a new addition: the X-tract 90° 18-28mm T8 FF Probe Zoom. Unlike the original straight probe model, this version features a 90-degree bend, allowing for different shooting angles without requiring elaborate rigging. While the overall design and optical formula remain similar, the angled approach introduces some key differences that may be useful for certain applications.

Continue reading “DZOFilm Launches Another Probe Zoom, With a Twist!”

The Light Shines On New Zeiss Supreme Zoom Radiance

The Light Shines On New Zeiss Supreme Zoom Radiance

ZEISS is ending 2024 with a last minute surprise announcement. Introducing the Supreme Zoom Radiance trio. This new set includes: 15-30mm, 28-80mm, and 70-200mm all at T2.9. The new ZEISS Supreme Zoom Radiance lenses feature the same T* blue coating as the popular Supreme Prime Radiance, delivering consistent flares and a warm color rendition. They are interesting additions to the cinema family complimenting the already unique Supreme Radiance Primes. Let’s take a look at the new Supreme Zoom Radiance lenses and see if they have enough shine to get your attention.

Continue reading “The Light Shines On New Zeiss Supreme Zoom Radiance”

Nikon Announces New 24-135mm f/4… Cine Lens?

Nikon Announces New 24-135mm f/4… Cine Lens?

Nikon’s upcoming NIKKOR Z 28-135mm f/4 PZ (Power Zoom) lens is aimed squarely at the filmmaking community, marking another step in the company’s ongoing efforts to cater to video professionals. While Nikon has long been a key player in the world of photography, this lens represents their latest attempt to break into the cinema lens market. However, a closer look reveals a mix of promise and potential areas for improvement.

Continue reading “Nikon Announces New 24-135mm f/4… Cine Lens?”

Canon Expands Flex Zoom Series Cinema Lens Lineup

Canon Expands Flex Zoom Series Cinema Lens Lineup

Canon has announced the launch of two new additions to their highly popular 8K Flex Zoom Cinema Lens Series—the CN-E14-35mm T1.7 and the CN-E31.5-95mm T1.7 Super 35mm format lenses. In addition, Canon is also introducing four new relay kits—the RL-S1 and RL-S2 (for Super 35mm) and the RL-F1 and RL-F2 (for full-frame). These relay kits allow each Flex Zoom lens to be adapted to suit different sensor formats, providing enhanced versatility and value for cinematographers.

Continue reading “Canon Expands Flex Zoom Series Cinema Lens Lineup”

Canon Announces Flex FF Zoom Lenses

Canon Announces Flex FF Zoom Lenses

After quite a long break from cine-specific zooms (aside from their hybrid style Cine-Servo line) Canon has introduced a new series of lenses for the company’s EF Cinema Lens lineup. A 20-50mm and 45-135mm, both with a maximum aperture of T2.4 which one may thing is reasonably fast, but combined with an image circle large enough to cover Full Frame formats!? That’s impressive. Let’s take a closer look at the new pair of zooms and the features that really make them stand out.

Continue reading “Canon Announces Flex FF Zoom Lenses”

Fujinon MK L-Mount Kit from MTF Services

Fujinon MK L-Mount Kit from MTF Services

UK based lens mount manufacturer MTF Services has announced a new conversion kit which will allow the Fujinon MK zooms to be converted to L-Mount. If the kit is anything like the rest of their products, it ought to be a proper method for getting the MK zooms onto your Panasonic, Sigma, or Leica camera.

Continue reading “Fujinon MK L-Mount Kit from MTF Services”

Vista One – More Character from Tokina Cinema

Tokina joined the cinema market with their Vista Primes which were met with open arms for their excellent image quality and coverage. But for many cinematographers, the lenses lacked character or personality. They were simply too clean or “clinical” as I’ve come to refer to them. But that changes with the Vista One primes.

Continue reading “Vista One – More Character from Tokina Cinema”

Leitz Cine Announces Plans for New Cine Primes and Zooms

Leitz Cine Announces Plans for New Cine Primes and Zooms During IBC 2018, Leitz Cine announced the development of a whole new set of twelve prime lenses designed for Full Frame/Vista Vision format as well as a brand new pair of cinema zoom lenses also designed for large format cinematography. Continue reading “Leitz Cine Announces Plans for New Cine Primes and Zooms”