a blog by Matthew Duclos
Cooke Optics has just expanded their acclaimed S8/i Full Frame (FF) lens range with the addition of the highly anticipated 21mm T1.4. This new focal length extends the versatility of the S8/i line, enabling cinematographers to capture stunning wide-angle shots while maintaining the signature look that Cooke is known for.
Continue reading “Cooke Adds 21mm T1.4 to S8/i Line”
What an exciting past couple of years we’ve had right? I mean regarding lenses. You got that? Okay good.
Yes, even in the past year alone we have had some incredible new products come out that have showcased the evolution of the cinema lens technology. Compact full frame cinema lenses have gained popularity for their portability, optical quality, and ability to deliver stunning visuals without compromising on performance. Never before have quality optics and this much variation between them been accessible to filmmakers. We pulled a few options in this category from our inventory to take a look at what they have to offer you.
To preface, this list only contains a few of the many Full-Frame/Vista Vision lenses on the market. Including s35 and even anamorphic lenses for sale would be exhausting and we don’t have enough coffee around today. We’ll save them for future blogs though. Stay tuned for that.
Now, let’s dive in.
Continue reading “Lens Guide: Compact Full Frame Cine Primes”
Sirui has expanded its Nightwalker lineup with two new additions designed to enhance the creative capabilities of filmmakers and content creators alike. With a plethora of mount options including: Sony E, Canon RF, Fuji X, Micro Four Thirds, and L-Mount versions, these primes appear to be the Swiss army knives of the affordable compact cine lens category.
Continue reading “Sirui Nightwalker 16mm & 75mm T1.2 Primes”
Duclos Lenses is excited to announce the availability for pre-order of three new lenses in the NiSi Athena Prime series: the 18mm T2.2, 40mm T1.9, and 135mm T2.2. These lenses expand the Athena Prime range, offering cinematographers enhanced creative flexibility and compatibility with mirrorless cinema cameras.
Continue reading “NiSi Adds 18mm, 40mm, and 135mm Primes to Athena Line”
I’ve added a simple new feature to the Duclos Lenses website that allows visitors to see a short list of rental houses that have specific lens models available for rental. At a time when our industry is at a moral deficit, this new feature is tiny gesture, a modest attempt at helping the businesses that have been so kind to us over the last twenty years. If you’re a rental house or have friends at rental houses, read on and help spread the word!
Continue reading “Rental Referral Initiative from Duclos Lenses”
NiSi has just announced its latest offering in the world of cinema lenses: the ATHENA series. These compact, full-frame prime lenses are designed for filmmakers who demand exceptional optical performance, smooth operation, and versatile compatibility with various camera systems.
Continue reading “NiSi Doubles Down With New ATHENA Primes”
It’s been a few months since we talked about DZOFilm here on The Cine Lens. Which means they’ve introduced a number of new products that we’ll go over as a round-up instead of flooding our feed with every new lens they announce.
Continue reading “DZOFilm Summer 2022 Roundup”
Carrying on with their original line of motion picture lens accessories, Duclos Lenses is pleased to introduce the latest and quite possibly greatest Carry Handle and Motor Bracket for the Angenieux 12x Ultra.
Continue reading “New 12x Ultra Accessories from Duclos Lenses”
The new XEEN CF primes feature a brand new compact, lightweight body and the same glass XEEN owners have come to appreciate. Rokinon is a perfect example of how a lens can evolve over time. Their new CF line is the culmination of customer feedback over the course of nearly a decade. Throughout this post, we’ll take a quick look back at the evolution of the Rokinon line and preview their upcoming CF line of cinema primes.
Continue reading “Rokinon Refreshes With New XEEN CF”
In recent years, vintage lenses are consistently being hunted down by cinematographers for their nostalgic look and “in-camera quality.” Sigma noticed this trend which led to the development of their new line of primes. Introducing the Sigma Cine Classic Art Prime lenses.
Continue reading “Sigma Introduces Classic Line of Primes”
On January 15th, Canon Burbank held their New Year Open House featuring Duclos Lenses. Patrons were able to explore the complete Cinema EOS line-up and get hands-on experience with Canon cinema cameras and lenses in the various Canon Burbank test facilities, theater, and showroom. Continue reading “Canon’s New Year Open House Recap”
Many of you may remember a little site that I began several years ago called LensRescue.com. It’s goal was to be a marketplace for high-end motion picture lenses. But with the growth of Duclos Lenses and the birth of my first daughter, I simply didn’t have the attention or the resources to dedicate to the site and it faded away. Fast-forward several years and I’m thrilled to bring my newest venture to life; LensFinder.com Continue reading “LensFinder.com Launches Online Marketplace for Vintage and Pre-Owned Lenses”
Yep. We did it again. Last year the folks at ShareGrid, Old Fast Glass, a brilliant, talented crew, and myself came together to test a wide variety of vintage lenses to give the cinematography world a sort of sampling, flight, if you will, of the various vintage lenses and what sort of characteristics you can expect with when using them. It’s been shared thousands of times and utilized in who knows how many pre-production meetings to determine the visual aesthetics as it pertains to lenses for a specific project.
So what’s next… ANAMORPHIC! The subject that baffles so many with a shroud of mystery. Optics designed to provide a wider field of view when bound by a specific format, fashioned by unsung geniuses from around the world – some a shining beacon of optical engineering superiority, and others a trophy of intentional flaw for the sake of introducing artifacts and characteristics that, to the average viewer, carries a subconscious nostalgia, lending honesty and legitimacy. But most importantly… They’re beautiful! Continue reading “The Ultimate Anamorphic Lens Test”
Not even six months ago, Rokinon announced a new line of cinema prime lenses deemed Xeen. This new prime lens set consisted of a 24mm, 50mm, and 85mm – intended to compete with the likes of Zeiss, Schneider, and Canon in terms of tech specs, features, and image quality. But there was no competition when it came to price. The Xeen primes halved the price of any of the aforementioned brands with little to no compromise elsewhere. Rokinon has filled in the obvious gaps with a 35mm T1.5 and a 14mm T3.1. Continue reading “Rokinon Reveals Two New Xeen Primes”
Here’s a quick one for ya.
Veydra just began shipping the 12mm Mini Prime which completes the full set. I’ve had some time to play with it and I have to say it’s impressive considering it’s wide angle nature and the fact that it’s coming out of China. Like I said in previous posts with the other Veydra Mini Primes, these are probably the only Chinese lenses that I enjoy using. But how does it stack up to a few other options? Continue reading “Micro 4/3 Wide Angle Comparo”